Ben Eller on Playing with Mastodon, Retro Entrance Music, Tool's Adam Jones on Penta Entrance Theme
Hi guys! I, your resident wrestling entrance theme composer John Kiernan interviews the one and only Uncle Ben, Ben Eller! Ben is a guitarist known for his recent performance with Mastodon and his unbelievable YouTube guitar channel.
We discuss Ben's recent experience playing with Mastodon, the challenges of learning their songs, and the evolution of the band's music. The conversation also delves into the influence of wrestling in the South, 80's and 90's wrestling, Ben's early memories of wrestling, and the significance of entrance themes in wrestling. We also explore the creative process behind writing themes, the impact of memorable wrestling themes, and Ben's approach to teaching guitar and inspiring students. In this engaging conversation, Ben Eller and I delve into the world of wrestling, music, and the intersection of creativity and technology.
We discuss Adam Jones of Tool playing on WWE Penta and Rey Fenix's entrance themes, the return of CM Punk to WWE, the significance of entrance themes in wrestling, and the evolving role of AI in music creation. Your dynamic duo of this episode emphasize the importance of authenticity in both music and wrestling, while also exploring the representation of female guitarists in the industry.
We also built a hypothetical WrestleMania card featuring iconic guitarists, showcasing their passion for both music and wrestling. Enjoy!
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About The Show:
Do you like wrestling? Do you like music and stories from the road? Join John Kiernan, wrestling entrance theme song composer, and professional musician of over 10 years for stories and interviews with your favorite wrestlers, rock stars, and personalities!
About the Host:
John Kiernan is a wrestling entrance theme song composer with over 150 themes written for wrestlers in various promotions such as NJPW, WWE, ROH, MLW, and many more. As a professional musician, a veteran in the podcasting space, an avid pro wrestling fan and wrestling personality by way of creating the soundtracks for your favorite wrestlers, John Kiernan forges his latest podcasting venture into diving into stories of music, stories from the road, and wrestling from all walks of life from your (and his) favorites of all time.
#music #wrestling #ropesnriffs #johnkiernan
Welcome to this episode of the Ropes and Riffs Podcast.
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This is Jon Kiernan, Wrestling Entrance Theme Song Composer.
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You may remember me from such interviews as AEW's Mercedes Martinez.
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The one and only Marty Friedman.
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the one and only entrance song king, Montese, Josiah Williams, Eric Young, and many more
of your favorite musicians and wrestlers.
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on today's episode, I'm gonna be interviewing Uncle Ben himself, Ben Eller.
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You may know Uncle Ben for his recent stint at his show with Mastodon.
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You may know him from his time on YouTube teaching all different levels of guitar, all
different shapes and sizes, and all different kinds of styles.
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Ben Eller is a good friend of mine, and I'm so excited that he was able to come on the
show here.
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So I hope you enjoy our conversation where we talk about 80s and 90s wrestling entrance
themes, who some of our favorite wrestlers are, talk all about guitar.
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So for you guitar and music nerds out there, this is an episode for you and so much more.
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If you like what you hear, think about subscribing to the show over here on YouTube,
Spotify, Apple, and if you really like the show, feel free to leave us a comment and a
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review.
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If you leave a comment and review about the show, we'll go ahead and read it on the show.
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anyone who drops a donation of $10 or more over on PayPal, R-O-P-E-S, the letter N,
R-I-F-F-S, that's Ropes and Riffs.
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You'll also get a shout out on the show.
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I've kept you waiting long enough, so enjoy this episode and a great conversation with the
one and only Uncle Ben, Ben Eller.
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Uncle Ben.
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How you doing today, Ben Eller?
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kids, it's your good buddy Uncle Ben.
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Thanks so much for having me on the show, dude.
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I feel like we've been trying to line this up for a long time.
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We've had schemes and plots working against us.
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The guitar Illuminati, the guitar Minotti infiltrated Knoxville last week and set up a
power surge from my studio that destroyed a bunch of stuff.
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They were trying to shut us down, but look at us now.
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Here we are.
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Who'd thought?
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Look at us.
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But I like how we talk about all that and then you're just like, yeah, you know, a week or
two ago, you know, sorry, I couldn't do it.
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I was just with mastodon.
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That's a thing.
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that old thing.
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I don't know if you saw that or not, but you know, just doing stuff.
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Had a gig, you know, I had a show.
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Dude, it was so cool.
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was looking up like, you know, obviously they're like, Ben's playing with Mastodon.
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It's like, my God.
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And I think the actual first time that I heard that you were doing it was through Metal
Socks.
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And it was like, look at this.
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And it's just like, wait, Ben Eller, of course it's that Ben Eller, but you're always just
like, is it that Ben Eller?
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And then it shows up.
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It's you and you're just ripping on stage with the man.
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It's so, it was so cool to see.
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So congrats to that.
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Thank you very much.
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I appreciate that.
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And it was really a dream gig and a, ultimate honor.
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Cause I've been obsessed with that band for so long.
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So it was pretty surreal experience.
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And dude, I'll tell you this.
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was so fun being there, like on the scene, watching stuff unfold, right?
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Because basically the announcement of Brent's departure happened like after we touched
wheels in the Dominican Republic, like right as the plane landed, I opened up my phone and
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it's like, there's the news, you know,
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And I had all my friends and stuff text me.
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like, dude, did you see that prints out of the band?
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Did you see Brent left the band?
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Holy shit.
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Who do you think they're going to get to replace him?
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Who's it going to be?
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Who's it going to be?
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And I'm like, Whoa, that's crazy.
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You know?
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And then it was like the, I think it was like the next day.
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Cause we played the last day of the fest.
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The next day people were sending me all the speculation.
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And then like the next day after that, I guess somebody on the beach spotted me at sound
check.
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Cause the stage was like right on the beach.
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And so we were doing sound check early in the morning and like a couple of people lined up
on the beach, you know, and we're taking photos and stuff and it kind of got leaked.
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It's like possible Ben Eller sighting at tool in the sand.
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It was just really cool watching the breadcrumbs get dropped and then it's like, boom,
there it is.
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It sounds like such things that happen in wrestling where it's like, this person signed
and then the dirt sheets have it for a while and they're like, they're backstage at raw or
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AEW.
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they didn't show up today.
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they were backstage, but nothing happened.
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And then all of sudden they show up and you're like, what happened?
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This is crazy.
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I'm telling you man, like the sleuth work of the internet is truly incredible.
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Those are some Carmen San Diego kids out there for sure.
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And I liked too how you had to kind of play it coy.
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my god, this happened and especially for you too with all the videos you've done.
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You've done a lot on Mastodon too through the years about like, playing this riff and
playing this riff.
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you you look through the internet, you search Mastodon guitar and things like that.
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Obviously everyone in Mastodon over the years has just been a phenomenal player,
phenomenal music.
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If you're, you know, if you're listening to this podcast, you're probably a fan of
Mastodon already.
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If you're not, please go check out any record in their catalog and you're going to get.
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just some amazing music.
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But for you, you have a lot of these chops for the Macedon stuff already kind of even
going into the gig.
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But the video that you did highlighting the experience, you were like, man, I only had a
couple of days to do it.
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And it was literally listen to it, play through it, wait till I mess up, play through it
again, get to that same spot, and then kind of dive through.
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It was cool to hear about like the process of you getting into the Macedon gig too.
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yeah, that's the behind the scenes stuff that that nobody knows, you know, like I saw a
lot of people being like, ah, you know, Ben loves mass on he probably knew all these songs
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already.
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I really did not like out of that set list, which is a 17 song set, but I learned 20
something songs and we narrowed it down from there.
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I mean, I probably knew, you know, by heart, maybe four of them and the rest, was just
like, frantically learn this stuff as fast as you can, as accurate as you can.
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And it was a real challenge, man.
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Thankfully, I had earlier that year done the Shiprock gig, right?
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Me and Andy Wood and our drummer, Andy Campbell, we do these crazy rock cruise gigs and
all that where we're sort of the core of the house band of the main event, which is called
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the Stowaways, which is kind of this all star jam band kind of thing where, you know, we
choose different members of different bands that are on the cruise and we all do like a
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one time only cover song together.
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And then the next song is a different line up and the next song is a different line up.
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It's a ton of fun.
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It's one of the most cool things I get to do every year.
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Uh, but it involves learning, you know, 50, 60 songs, which I had just done on guitar and
bass to make sure it was all covered in case somebody had to cancel or whatever.
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So I had just been, you know, doing this marathon cram session anyway.
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So I think my brain was already kind of in that mode of, you know, uh, transcribing,
learning, memorizing, cause you know how it is, man, you're a player too.
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It's like,
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If you don't use those muscles, they atrophy, you know, I don't know if you've gone like a
long time between gigs and learning material and memorizing it, but man, if you've not
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done it, like I remember coming out of COVID, right?
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When we had no gigs, some of those first gigs I had coming back, dude, it took a while to
dust it off, you know, to get those, those memorization chops back and those transcription
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chops back.
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So thankfully I'd kind of already been in that sort of, you know,
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cram for material mode because of shiprock.
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So then when that fell in my lap, it's like OK, I'm ready.
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Now here's a question for you too, because obviously you've learned lots of mass that are
over the years.
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There were songs that you didn't know.
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You know, when it comes to the songs that you did know, you know, I, I know a lot of bands
that when you do sessions for them, when I've done sessions for them, it's like, okay,
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cool.
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Well, here's how it's really played as opposed to the way that you kind of heard it.
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The thing that's always been great about you is how so guitar centric you are, like watch
any of your videos here, any of the ways that you talk, you're really as dialed in, I
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think as possible to.
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you.
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everything from what string you're using and even if you're just like there's a fingering
that you wouldn't usually think to use because you could just do it this way we're
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probably he probably did it this way or she did it this way because that's the way that
you hear it on the record for you when you go into Mastodon and you're playing things the
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way that you learn them is there a conversation with them like hey this is like really
close but here's that extra like 1 % to make it as accurate as possible or were you pretty
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much like on you were so you you had that conversation too
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yeah, yeah, absolutely.
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Because I want to make sure I'm doing this stuff as accurately as possible.
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Cause that's what the fans are there to see, you know?
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And especially, especially for that time period with the band, you know, coming out of
this relationship they had with Brent Hines, who is a legend, one of my favorite players,
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one of the most important players in metal of the past 20 something years, right?
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You know, that's a big leap of faith for the fans to be like, how's the band going to
carry on with somebody else, whoever it may be.
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So I kind of felt a responsibility myself to be like,
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Don't worry, whoever steps up is still gonna play this stuff accurately.
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The songs are gonna sound the way that you're familiar with.
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Well, a little different, obviously.
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I'm not Brent, nobody is.
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So it was important for me to put the faith in the fans, to restore faith in the fans, and
also to pay respect to the music.
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Because to me, this is music I've been a fan of for 20-something years now.
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And so for me, it was very important to honor the material.
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And you're talking about so many records too.
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Like Mastodon's a band that record to record, you can tell it's Mastodon, but you can hear
a definite difference between like March of the Fire Ants, Colony of Birchmen and
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everything in between and after, you know?
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So it's one of those things where it's like, you know, there are some bands where...
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You're like, all right, cool.
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This is this.
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get this.
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This guitarist always does this.
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And this is kind of the style that they do.
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Like for me, I'll listen to an August Burns Red record.
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I listened to all of them.
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I love August Burns Red, but you listen to August Burns Red and you're like, Hey, if you
liked Constellations or you liked all of these other ones, you're probably going to feel
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pretty similar on all of them.
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That's not a dig.
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That's just, Hey, some bands have that other bands go, Hey, we want to have different
things that we do on different records.
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So for you, you're kind of not even learning like.
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one band.
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You're learning different years of the band and almost it feels like you're learning
different styles altogether, I'm sure.
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No, you're exactly right.
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And that's a great way to look at it.
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It's like it really is like learning different eras, you know, of the same band.
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And the cool thing with that group too is, know, everybody, everybody writes in that
group.
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So the songs that Brent wrote feel different under your hands than the songs that Bill
wrote.
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And people don't even know in that band how much stuff Braun, the drummer, writes.
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He writes a lot of stuff in his riffs feel nothing like Brent's riffs or Bill's riffs or
Troy's riffs.
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So it is really interesting, it's really fun, but that's part of why I like the challenge
so much, because it isn't that I already know exactly how this is gonna lay out on the
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neck, I know how this is gonna go, it's always something different that keeps you at
attention.
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That's something I've always really enjoyed about that band, yeah.
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And yeah, you're right, man, all those little things like making sure you're playing stuff
on the right string set, is this an open string or a fretted note, all that stuff really
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matters to me, so I really like digging into the minutia there.
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And I love that too.
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I love how much of a focus you have to it.
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you know, knowing you for as long as we've been friends here and as long as we've been,
yeah, it's, it's crazy.
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I can't even put a finger on it, but I know it was like, I think NAMM 15 that we had gone
to.
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And it was like right before then.
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Yeah.
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It's super cool.
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And something like that.
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Isn't it crazy?
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Our hair and our faces are still pretty good.
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I'd say.
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I look at those locks, dude.
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We still got it.
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We still got it.
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love it.
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00:11:18,676 --> 00:11:25,540
And through that time, obviously, there's been the constant conversations of guitar,
constant conversations of all different styles.
186
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You basically go, hey, man, check out Brad Paisley and me being like, this is a nightmare
to play.
187
00:11:30,402 --> 00:11:31,022
I love this.
188
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This is crazy.
189
00:11:32,103 --> 00:11:38,566
All the way into, you know, talking about some of the wrestling stuff too, as we are ropes
and ropes, we got to talk about wrestling.
190
00:11:38,566 --> 00:11:43,244
you know, for me, the times that I had really heard you talk about wrestling were on
191
00:11:43,244 --> 00:11:48,127
you know, dead and lovely with you and Hollywood Steve talking all the horror stuff on the
podcast that you were doing.
192
00:11:48,127 --> 00:11:53,169
And it was like, you guys would always drop the references to the older stuff, which you
got to talk about.
193
00:11:53,169 --> 00:12:00,183
And I always loved the fact of like, you know, someone like me who's still so like about
what products are out now and being like, my God, cool.
194
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This and that like, Hey guys, remember tool had, or Penta had tools, Adam Jones do the
recent theme, which is super cool.
195
00:12:10,058 --> 00:12:13,152
But yeah, and we got to dive into that a little bit too, cause that's
196
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that's some crazy stuff, but just being able to like hear you guys talking all the way
about like wrestling from the eighties.
197
00:12:18,720 --> 00:12:24,798
And it sounds like from when you were younger, you were really into wrestling much earlier
in your life too.
198
00:12:24,925 --> 00:12:25,616
yeah, definitely.
199
00:12:25,616 --> 00:12:26,016
Yeah.
200
00:12:26,016 --> 00:12:26,616
And you're right, man.
201
00:12:26,616 --> 00:12:35,041
Me and old Hollywood Steve back in the dead lovely days would wax poetic about old school
wrestling stuff all the time because you know, we both grew up here in the South and East
202
00:12:35,041 --> 00:12:38,074
Tennessee and you really can't get away from wrestling.
203
00:12:38,074 --> 00:12:44,068
Now, now back then, you know, in the late eighties, early nineties, it was still a little
bit more niche.
204
00:12:44,068 --> 00:12:50,052
You know, once we hit kind of the attitude era and everything really blew up, it became a
lot more common, but
205
00:12:50,052 --> 00:12:55,972
Back in the day, it was still a little bit more niche, but being in the South, just you
couldn't get away from it.
206
00:12:55,972 --> 00:13:01,772
know, Smokey Mountain Wrestling had a huge presence here, so you'd see all the Smokey
Mountain Flyers everywhere.
207
00:13:01,772 --> 00:13:02,632
And yeah, I don't know.
208
00:13:02,632 --> 00:13:05,467
It's just it's just good old boys stuff, you know.
209
00:13:05,905 --> 00:13:06,985
Oh yeah, yeah.
210
00:13:06,985 --> 00:13:13,225
Southern, I don't think people realize how much resonance wrestling has in the South, you
know?
211
00:13:13,225 --> 00:13:18,625
And it's one of those things where you have so many of like the biggest talents that would
do all the territories down there.
212
00:13:18,625 --> 00:13:29,345
And you know, you're talking about, I mean, in New York, obviously you had, you know, WWF
and WWWF and things like that, but like the South, think is always really where wrestling
213
00:13:29,345 --> 00:13:30,665
will have that stronghold.
214
00:13:30,665 --> 00:13:32,305
That's still real to me, that whole thing.
215
00:13:32,305 --> 00:13:33,529
It's like, you know,
216
00:13:33,529 --> 00:13:36,011
A lot of the best guys came from down there too.
217
00:13:36,011 --> 00:13:38,984
know, Dusty down in Georgia and all that kind of stuff.
218
00:13:38,984 --> 00:13:46,962
It's just, it's so interesting to think about when you're in the States, because you think
about wrestling overseas and things like that, but you really think about the stronghold
219
00:13:46,962 --> 00:13:49,014
of wrestling being such a Southern thing.
220
00:13:49,014 --> 00:13:50,045
You're a hundred percent right.
221
00:13:50,045 --> 00:13:50,604
Yeah.
222
00:13:50,604 --> 00:13:51,305
Yeah, man.
223
00:13:51,305 --> 00:13:52,767
No, it's absolutely everywhere.
224
00:13:52,767 --> 00:13:53,739
Those are our stories, man.
225
00:13:53,739 --> 00:13:56,306
Those are our male redneck soap operas.
226
00:13:56,306 --> 00:13:58,594
What's your, what's your early wrestling story?
227
00:13:58,594 --> 00:14:00,967
Like what had gotten you into it when you were younger?
228
00:14:00,967 --> 00:14:04,490
Dude, I don't even know the first time that I started getting into it.
229
00:14:04,490 --> 00:14:06,872
Honestly, that's actually something I hadn't thought about.
230
00:14:06,872 --> 00:14:08,343
Like what was the first time you watched wrestling?
231
00:14:08,343 --> 00:14:14,619
It was one of those things that I just always had, you know, it's kind like, I don't
really remember the first time I heard Van Halen.
232
00:14:14,619 --> 00:14:16,650
like, I've always had Van Halen in my life.
233
00:14:16,900 --> 00:14:18,792
and wrestling is the same way, man.
234
00:14:19,152 --> 00:14:23,176
Dang, that's a good question because I'm trying to think about it this way, man.
235
00:14:23,176 --> 00:14:27,920
So I grew up funny enough on a street called Harmony Circle.
236
00:14:27,920 --> 00:14:28,874
Pretty cool.
237
00:14:28,874 --> 00:14:29,580
There you go.
238
00:14:29,580 --> 00:14:33,442
And down the street was my best buddy and lifelong friend, Josh.
239
00:14:33,442 --> 00:14:39,947
He lived right down the street from me and him and his brother, who's his older brother,
Brian, we're always really into wrestling.
240
00:14:39,947 --> 00:14:45,250
So maybe we got into it hanging around them because my parents didn't watch wrestling.
241
00:14:45,250 --> 00:14:47,311
So maybe they got us into it.
242
00:14:47,311 --> 00:14:49,913
Maybe watching it over at their place or something, you know?
243
00:14:50,093 --> 00:14:55,596
But again, I don't even remember when that was, so it would have been early, early, early
on.
244
00:14:55,657 --> 00:14:57,908
And man, we just used to love watching that stuff.
245
00:14:57,908 --> 00:14:59,519
And I don't know to me.
246
00:14:59,878 --> 00:15:02,829
You know, it was like watching real life superheroes.
247
00:15:02,889 --> 00:15:04,490
That was the appeal to me.
248
00:15:04,490 --> 00:15:07,411
You know, I was always into comic books and everything growing up.
249
00:15:07,411 --> 00:15:16,294
And so to see these guys, these big, you know, hulking dudes with these crazy physiques
and costumes and they had their super moves and they had this like, you know, mythology.
250
00:15:16,294 --> 00:15:24,588
Like when you see characters like the Undertaker when you're a kid and you're like, OK, I
know that this is pretend and he's acting, but like this is the closest thing to seeing a
251
00:15:24,588 --> 00:15:26,668
real superhero I've ever seen.
252
00:15:26,668 --> 00:15:28,779
Like this guy is beyond huge.
253
00:15:29,153 --> 00:15:30,790
think that's what got me into it early on.
254
00:15:30,790 --> 00:15:33,016
Yeah, the pageantry.
255
00:15:34,152 --> 00:15:34,622
100%, yeah.
256
00:15:34,622 --> 00:15:39,395
And you know, I ask that question sometimes to people, like, was your first memory of
wrestling?
257
00:15:39,395 --> 00:15:45,839
like, I'll always go back to Bret and Sean, WrestleMania 12, but I don't even think that
was my first time.
258
00:15:45,839 --> 00:15:48,642
But like, that's the one that I always say, really got me into wrestling.
259
00:15:48,642 --> 00:15:55,676
everyone's like, if you, if for people listening, you guys know the match, a 60 minute
Iron Man match, and everyone's like, why are gonna put these two in there for 60 minutes?
260
00:15:55,676 --> 00:15:57,143
And then it goes to a draw.
261
00:15:57,143 --> 00:15:59,034
And then all of a sudden it's like, all right, we're back.
262
00:15:59,034 --> 00:16:02,227
And then Sean goes, surprise, fuck face and hits you with a super kick.
263
00:16:02,227 --> 00:16:03,908
And it's like, that's it.
264
00:16:03,908 --> 00:16:04,939
All of a sudden, Sean's there.
265
00:16:04,939 --> 00:16:06,183
I'm always a Sean guy.
266
00:16:06,183 --> 00:16:10,733
And it's just like, yeah, he's, he's so good.
267
00:16:10,733 --> 00:16:17,949
And you know, there's like, I think that was my first match was Sean, Brett, WrestleMania
12, but same thing.
268
00:16:17,949 --> 00:16:19,910
Like you feel like it's been in your life forever.
269
00:16:19,910 --> 00:16:21,882
I know my parents were huge into it.
270
00:16:21,882 --> 00:16:23,885
And then over the years, like,
271
00:16:23,885 --> 00:16:31,802
You know, my mom was really big into it too with like SmackDown when it came on when we
lived in Queens and we would just like eat Ben and Jerry's Bovinity Divinity ice cream,
272
00:16:31,802 --> 00:16:33,063
watching it on UPN.
273
00:16:33,063 --> 00:16:36,565
That's a throwback ladies and gentlemen, UPN for those in the North.
274
00:16:36,565 --> 00:16:43,550
like, that's like, I remember those things and she's watching like the Rock gets super
kicked by Shawn Michaels as a referee in the short shorts.
275
00:16:43,550 --> 00:16:45,052
And I'm like, my God.
276
00:16:45,052 --> 00:16:51,531
And my mom was somebody who was very much like, you know, I think she helped me spend my
disbelief for a lot longer.
277
00:16:51,531 --> 00:16:51,920
Yeah.
278
00:16:51,920 --> 00:16:54,632
was like, my God, if someone got kicked like that, yeah, they'd be out.
279
00:16:54,632 --> 00:16:56,342
And I'm like, yeah.
280
00:16:57,343 --> 00:16:58,244
Yeah.
281
00:16:58,244 --> 00:17:02,086
And then there was always like that little glimmer of like, you know, the undertaker.
282
00:17:02,086 --> 00:17:02,656
Yeah.
283
00:17:02,656 --> 00:17:04,407
I thought he was dead for awhile.
284
00:17:04,407 --> 00:17:05,918
I'm like, yeah, he was.
285
00:17:05,918 --> 00:17:07,038
totally.
286
00:17:07,139 --> 00:17:15,384
man, that's funny you mentioned Shawn Michaels too, because like that was always the the
raging question back in the day is like, okay, Brett or Shawn, which of which side are you
287
00:17:15,384 --> 00:17:15,604
on?
288
00:17:15,604 --> 00:17:24,110
And I remember as a kid, I always liked to face I like Brett Hart, I like to go out there
and give it is really, you know, crappy sunglasses to the kids.
289
00:17:24,110 --> 00:17:29,833
Remember, he gives the kids that it's like a piece of foil shaped into sunglasses, like
here you go, kid.
290
00:17:29,954 --> 00:17:33,288
But I always thought that he was like the good guy, you know, and Shawn was like,
291
00:17:33,288 --> 00:17:34,009
bad guy.
292
00:17:34,009 --> 00:17:41,483
nowadays, I'm just like, no, Sean, all the way to what a performer so much charisma, so
much crowd control and so much consistency.
293
00:17:41,483 --> 00:17:48,397
Like, a friend of mine showed me a compilation of all of his, like, you know, elbow drops
over the years.
294
00:17:48,437 --> 00:17:51,418
It was just a compilation of elbow drop, elbow drop, elbow drop.
295
00:17:51,418 --> 00:17:52,399
They're identical.
296
00:17:52,399 --> 00:17:58,522
It's like his muscle memory is spot on, they all look exactly the same.
297
00:17:58,682 --> 00:18:00,747
Because he so dialed in as a performer.
298
00:18:00,747 --> 00:18:02,167
And dude, actually, okay.
299
00:18:02,167 --> 00:18:03,778
Here's one of my first wrestling members.
300
00:18:03,778 --> 00:18:06,989
can't say the first, but one of my first, you'll think this is hilarious.
301
00:18:06,989 --> 00:18:16,141
So remember of course, Sean Michael's theme song, absolutely part of the charisma singing
your own theme song about how you're a sexy boy.
302
00:18:16,141 --> 00:18:17,472
Awesome.
303
00:18:17,472 --> 00:18:18,122
Holy cow.
304
00:18:18,122 --> 00:18:19,673
can't get any cooler than that.
305
00:18:19,673 --> 00:18:20,513
Right.
306
00:18:20,513 --> 00:18:27,596
But whenever the song starts and Sean's walking out, there's, there's a lady and she goes,
Sean.
307
00:18:28,591 --> 00:18:30,064
you know, she's making sexy noises.
308
00:18:30,064 --> 00:18:31,346
That was my sexy noise, by the way.
309
00:18:31,346 --> 00:18:39,575
But dude, as like, you know, like a five year old kid, I didn't understand that that was
like sexy woman noises.
310
00:18:39,575 --> 00:18:44,931
I thought that was the sound of him like murdering a woman, because he's a bad guy.
311
00:18:44,931 --> 00:18:48,386
Imagine that changes the whole context of everything Shawn Michaels.
312
00:18:48,386 --> 00:18:50,718
I'm gonna murder somebody then I'm gonna walk to the ring.
313
00:18:50,909 --> 00:18:52,210
He's a real lady killer.
314
00:18:52,210 --> 00:18:52,772
Really.
315
00:18:52,772 --> 00:18:54,940
It just confused me so much as a kid.
316
00:18:54,940 --> 00:18:57,142
was like, wow, this guy's really a bad guy.
317
00:18:57,142 --> 00:19:01,376
His theme song starts off with him murdering a woman then singing about how hot he is.
318
00:19:01,376 --> 00:19:03,007
This guy's messed up.
319
00:19:03,427 --> 00:19:05,139
You want to know something crazy though.
320
00:19:05,139 --> 00:19:10,023
Actually, this is something I thought for years to actually up until last year.
321
00:19:10,023 --> 00:19:11,174
I forget where it was.
322
00:19:11,174 --> 00:19:16,168
I forget where I heard it, which is a great way to qualify anything I'm about to say,
ladies and gentlemen.
323
00:19:16,168 --> 00:19:20,932
But I believe that the vocals at the beginning, everyone thought was Sherry, right?
324
00:19:20,932 --> 00:19:24,614
Sherry Martel, but it's actually Jimmy Hart.
325
00:19:25,916 --> 00:19:27,036
Yeah.
326
00:19:27,377 --> 00:19:28,518
How crazy is that?
327
00:19:28,518 --> 00:19:30,820
uh
328
00:19:30,820 --> 00:19:32,754
that adds an extra layer of confusion.
329
00:19:32,754 --> 00:19:36,622
Now I'm just as confused now as a 40 year old dude than was when I was five.
330
00:19:36,622 --> 00:19:37,559
uh
331
00:19:37,559 --> 00:19:47,374
when I heard that, and it was on one of these legit sources, like someone who knew or
whatever in the industry, and I was just like, man, this is like some Berenstein Bears
332
00:19:47,374 --> 00:19:48,835
kind of stuff going back and forth.
333
00:19:48,835 --> 00:19:50,566
Like, no, no, no, this is Mandela effect.
334
00:19:50,566 --> 00:19:52,638
This is like, it totally was her.
335
00:19:52,638 --> 00:19:53,778
It has to be.
336
00:19:53,778 --> 00:19:57,360
Otherwise, 36 years of my life means nothing.
337
00:19:57,360 --> 00:20:03,402
Or, I don't know, someone squashed a bug in the 80s and then went back in time and never
squashed that bug and now Jimmy Hart did it.
338
00:20:03,402 --> 00:20:04,105
I don't know.
339
00:20:04,105 --> 00:20:20,773
oh
340
00:20:20,955 --> 00:20:21,316
yeah.
341
00:20:21,316 --> 00:20:29,572
And I have this conversation with people who do the entrance themes nowadays too, cause
they're like, man, what do you think about like the themes now, you know, and like what
342
00:20:29,572 --> 00:20:32,224
you do and what like Mikey from AEW does and all this.
343
00:20:32,224 --> 00:20:36,908
And I'm always like, man, it takes a lot to write a really memorable theme.
344
00:20:36,908 --> 00:20:39,751
But I think the thing that a lot of people don't.
345
00:20:39,751 --> 00:20:40,121
Wreck it.
346
00:20:40,121 --> 00:20:41,635
Well, let me talk about Bratz first.
347
00:20:41,635 --> 00:20:46,939
The thing that's cool with Bratz is now, you know, Natalia uses a version of it, his,
related in the industry and whatnot.
348
00:20:46,939 --> 00:20:48,272
And it's just like.
349
00:20:48,272 --> 00:20:54,392
It's cool to see that, I go, man, back in the day, you didn't have lots of companies.
350
00:20:54,392 --> 00:20:57,072
You didn't have a lot of the same dynamics.
351
00:20:57,072 --> 00:21:00,652
So you got the opportunity for those themes to really stick in your head.
352
00:21:00,652 --> 00:21:03,012
And I'm like, I don't think you're going to get back there again.
353
00:21:03,012 --> 00:21:14,632
Like I think that you can make music, obviously that's really unique for each person, but
like, like, of like you said, Brett Hart's theme, it's kind of da, da, da, da, da, da, da,
354
00:21:14,632 --> 00:21:15,726
da, da, da, da,
355
00:21:15,726 --> 00:21:16,226
Yeah.
356
00:21:16,226 --> 00:21:19,349
And then it's just like, then some like kind of cool solo that happened.
357
00:21:19,349 --> 00:21:20,039
That's cool.
358
00:21:20,039 --> 00:21:28,515
But like, I always think about it and I asked Jim Johnson this on LinkedIn, cause we had a
conversation at Jim Johnson, composer for WWE or WWF, right?
359
00:21:28,515 --> 00:21:29,486
Who wrote that?
360
00:21:29,486 --> 00:21:35,109
And he's like, man, when you write themes, you got to think about like who the talent is
and things like think about the undertaker.
361
00:21:35,109 --> 00:21:36,589
go, but yeah, no disrespect.
362
00:21:36,589 --> 00:21:38,410
The undertaker is a dead guy, right?
363
00:21:38,410 --> 00:21:39,671
You could write a funeral dirge.
364
00:21:39,671 --> 00:21:40,802
Totally cool.
365
00:21:40,802 --> 00:21:43,853
nowadays, you know, you may write something heavy too, but I go,
366
00:21:44,355 --> 00:21:45,446
What about Brett?
367
00:21:45,446 --> 00:21:48,128
How do you like write Canadian?
368
00:21:48,128 --> 00:21:49,109
You know what I mean?
369
00:21:49,109 --> 00:21:51,111
How do you write for a technical person?
370
00:21:51,111 --> 00:21:55,534
And for that, he was always like, you got to think of like the story of the person.
371
00:21:55,534 --> 00:21:58,857
You got to think about like, everybody's got a unique story.
372
00:21:58,857 --> 00:22:00,929
And I always agree with that.
373
00:22:00,929 --> 00:22:02,159
They do.
374
00:22:02,480 --> 00:22:07,384
But it's just like, I don't know how you get inside the mind of like a Brett Hart and come
up with something like that.
375
00:22:07,384 --> 00:22:08,901
That theme is always iconic.
376
00:22:08,901 --> 00:22:20,432
Dude, I was going to ask you about this because you've done a lot of this kind of work and
I've always thought that it sounded so fun because I don't know about you, man, like I get
377
00:22:20,432 --> 00:22:23,586
the total fear of a blank page, right?
378
00:22:23,586 --> 00:22:29,341
When I don't have an assignment and it's like, I don't know, do something, be creative,
write something, anything.
379
00:22:29,341 --> 00:22:30,833
It's a blank page.
380
00:22:30,833 --> 00:22:33,619
Like I kind of just spiral at that point.
381
00:22:33,619 --> 00:22:43,279
But when the assignment gets tighter and tighter, like for doing sessions that have done
over the years or whatever, where it's like, okay, I need a 30 second long guitar solo in
382
00:22:43,279 --> 00:22:44,859
this key at this tempo.
383
00:22:44,859 --> 00:22:47,259
My brain starts firing off ideas right away.
384
00:22:47,259 --> 00:22:50,339
The limitation is what makes it interesting to me.
385
00:22:50,339 --> 00:22:55,679
Um, and I imagine when you're writing a theme for wrestlers you've done, it's gotta be
really, I don't know.
386
00:22:55,679 --> 00:23:00,019
I would see my own brain getting very excited about that being like, okay, needs to this
long.
387
00:23:00,019 --> 00:23:01,699
It needs to convey this energy.
388
00:23:01,699 --> 00:23:02,706
It's for this character.
389
00:23:02,706 --> 00:23:05,206
It looks like this, the story is this.
390
00:23:05,206 --> 00:23:07,378
I would get really excited doing that.
391
00:23:07,378 --> 00:23:09,282
What is that process like for you?
392
00:23:09,369 --> 00:23:12,601
Yeah, it's exactly like you said, you know, it's, one of those things.
393
00:23:12,601 --> 00:23:17,604
And as, as I think we're both in kind of that guitar space too, you think about all the
phenomenal players.
394
00:23:17,604 --> 00:23:18,904
It's like, well, okay.
395
00:23:18,904 --> 00:23:22,917
You think about like a Jack Gardner, you think about all these guys and you go, okay,
great.
396
00:23:22,917 --> 00:23:25,058
That record you played every single note.
397
00:23:25,058 --> 00:23:25,918
What's next?
398
00:23:25,918 --> 00:23:33,603
You know, and it's just like, it's this blank canvas of you can play all the things you
can do all the things you've literally hit every chord tone.
399
00:23:33,603 --> 00:23:35,644
You've literally hit every non-chord tone.
400
00:23:35,644 --> 00:23:38,115
You did every passing that you could have done.
401
00:23:38,115 --> 00:23:39,826
what's the next record gonna sound like?
402
00:23:39,826 --> 00:23:40,936
It becomes daunting.
403
00:23:40,936 --> 00:23:50,229
When you do themes for wrestlers, I feel like it's been, honestly, like you said, kind
some of the most freeing to do, because you talk to a talent and you're like, what's your
404
00:23:50,229 --> 00:23:51,089
story?
405
00:23:51,089 --> 00:23:55,751
What do you want your theme to tell the people about you before we hit the ring?
406
00:23:55,751 --> 00:23:57,933
And tell me a bit about you.
407
00:23:57,933 --> 00:24:02,294
And it becomes this thing where, and I forget, you basically said it, right?
408
00:24:02,294 --> 00:24:05,303
With limitations comes freedom, because if you can do everything,
409
00:24:05,303 --> 00:24:07,223
then you have this paralysis.
410
00:24:07,223 --> 00:24:12,183
you know, okay, you're going to be doing this kind of thing, then it helps tighten that up
a little bit.
411
00:24:12,183 --> 00:24:15,003
And it helps you get even more creative outside of that, right?
412
00:24:15,003 --> 00:24:22,043
If you're working on a theme for a talent who's, let's say, more of a horror gimmick or
more of like a scary theme, okay, cool.
413
00:24:22,043 --> 00:24:24,643
You could choose this scale to work in.
414
00:24:24,923 --> 00:24:28,763
cool, maybe you can choose this kind of more exotic scale to write in instead.
415
00:24:28,763 --> 00:24:31,203
And it's like, wow, that makes them a little bit more unique.
416
00:24:31,203 --> 00:24:32,423
Why did you choose that?
417
00:24:32,423 --> 00:24:33,077
Because...
418
00:24:33,077 --> 00:24:35,629
This person sounds very much from the underworld.
419
00:24:35,629 --> 00:24:36,991
This person is a cult leader.
420
00:24:36,991 --> 00:24:48,212
This person, you know, it's, gives you those kind of like extra tools and it, makes it
like, you get to feel like each piece that you write does have its own identity.
421
00:24:48,212 --> 00:24:50,904
Cause every wrestler then has their own identity too.
422
00:24:50,904 --> 00:24:53,657
So yeah, I think you're a hundred percent spot on with that.
423
00:24:53,657 --> 00:24:54,136
Yeah.
424
00:24:54,136 --> 00:24:56,868
The constraint it's like within the constraint lies the freedom.
425
00:24:56,868 --> 00:25:02,301
It's really interesting because if you just had somebody come to you and they're like
write me a theme, you'd be like.
426
00:25:02,661 --> 00:25:04,582
OK, what the anything?
427
00:25:04,582 --> 00:25:05,802
Yeah, anything.
428
00:25:06,883 --> 00:25:12,567
I would probably never get anything done if that was the case, but you're right if it was
like hey, I'm a supernatural luchador.
429
00:25:12,567 --> 00:25:15,249
And I'm a high flyer, high impact wrestler or whatever.
430
00:25:15,249 --> 00:25:17,370
I would start getting ideas right away.
431
00:25:17,370 --> 00:25:19,511
You know, I always find that something to.
432
00:25:19,651 --> 00:25:21,822
that showed my students and stuff over the years too.
433
00:25:21,822 --> 00:25:25,293
know, people that are having trouble getting creative, getting songs finished.
434
00:25:25,293 --> 00:25:29,594
It's usually because they're giving themselves the biggest blank page in the world.
435
00:25:29,955 --> 00:25:37,878
But when you give yourself that assignment of like, has to be this long, it has to convey
this emotion, it has to be in this key, it has to be, you know what I mean?
436
00:25:37,878 --> 00:25:42,069
The more limitations you give, usually the more ideas you'll actually get.
437
00:25:42,539 --> 00:25:49,454
Yeah, and I think a lot of people think in that way too, like the more they write music
and the more, you know, when you're a beginner in that stage, you're not thinking like
438
00:25:49,454 --> 00:25:49,574
that.
439
00:25:49,574 --> 00:25:58,460
You're just like, and I always use this terminology, you know, back in the day you had Led
Zeppelin coming out with a small orchestra and there was smoke and there was Jimmy Page
440
00:25:58,460 --> 00:26:07,607
coming out with all the letters and know, crazy shapes on his pants and Robert Plant came
out with his shirt open and all of sudden he's singing into the microphone or he just
441
00:26:07,607 --> 00:26:11,329
sounds like he's singing to a hall of people and it's just like.
442
00:26:11,403 --> 00:26:13,454
yeah, how do they come up with all this stuff?
443
00:26:13,454 --> 00:26:23,306
And I'm like, I love Zeppelin, I do, but at the same time, you could call it reverb on the
voice, you could call it, know, he's using these scales, he's doing this, and it's not
444
00:26:23,306 --> 00:26:30,208
absolutely to make any of that sound bad, it's just, you know, these are the tools that
they're using, and it's okay to know that.
445
00:26:30,208 --> 00:26:36,180
So then when you turn around and you have a student that's like, I can't do this, you're
like, all right, let's focus up a little bit.
446
00:26:36,180 --> 00:26:39,224
I just had the rock band we do at our school did that, we were like, all right.
447
00:26:39,224 --> 00:26:42,126
We've learned all these songs, let's write a piece of music.
448
00:26:42,346 --> 00:26:44,536
And I did start it off a little bit open.
449
00:26:44,536 --> 00:26:45,268
I'm like, all right, cool.
450
00:26:45,268 --> 00:26:46,709
Does anyone have anything?
451
00:26:46,709 --> 00:26:48,307
And they all kind of look at each other like, what are we doing?
452
00:26:48,307 --> 00:26:49,311
I'm like, all right, cool, cool.
453
00:26:49,311 --> 00:26:50,152
What are we feeling now?
454
00:26:50,152 --> 00:26:51,032
What's our vibe?
455
00:26:51,032 --> 00:26:52,939
And they're like, a little bit more calm and this.
456
00:26:52,939 --> 00:26:53,855
I'm like, all right, cool.
457
00:26:53,855 --> 00:26:56,537
What are some songs that you think of that are kind of calm?
458
00:26:56,537 --> 00:26:57,147
Okay, this.
459
00:26:57,147 --> 00:27:02,741
And we listened to like three or four and I'm like, the two that you really liked the most
were in this time signature.
460
00:27:02,741 --> 00:27:04,082
Okay, cool, let's do that.
461
00:27:04,082 --> 00:27:07,564
And so think of that and let's choose a key, right?
462
00:27:11,021 --> 00:27:11,592
Right.
463
00:27:11,592 --> 00:27:12,673
this super cool song.
464
00:27:12,673 --> 00:27:17,913
And I'm like, man, like the band is literally just like, I feel this is something you
could listen to on the radio.
465
00:27:17,913 --> 00:27:18,635
I'm like, that's it.
466
00:27:18,635 --> 00:27:19,685
Like that, yeah.
467
00:27:19,685 --> 00:27:20,645
And then guess what?
468
00:27:20,645 --> 00:27:25,977
You can write another song that sounds a lot more lively and is a little bit more like,
you know, fast.
469
00:27:25,977 --> 00:27:30,919
Like you can do those things, but now you have this way to define more of what you're
looking to do.
470
00:27:30,919 --> 00:27:31,719
Yeah.
471
00:27:31,826 --> 00:27:33,207
man, absolutely so.
472
00:27:33,207 --> 00:27:34,968
That's gotta be a real thrill seeing that.
473
00:27:34,968 --> 00:27:37,720
I've always loved doing that with younger students and stuff too.
474
00:27:37,720 --> 00:27:41,022
That thrill of seeing them be like, my God, I can write music.
475
00:27:41,322 --> 00:27:43,904
It's a thrill, whenever that clicks with people.
476
00:27:44,851 --> 00:27:45,171
Yeah.
477
00:27:45,171 --> 00:27:47,273
And you've worked with hundreds of students too.
478
00:27:47,273 --> 00:27:54,458
You have so many students that you've worked with and you know, for you, it's like, it's
not just compositions, but it's breaking through those guitar things.
479
00:27:54,458 --> 00:28:02,644
It's being able to like, and that's one thing that I think is often understated and
actually as an instructor, I've learned a lot from you too, watching the way that you
480
00:28:02,644 --> 00:28:03,845
teach and explain things.
481
00:28:03,845 --> 00:28:09,140
It's like, you dial in so much on the minutiae, right?
482
00:28:09,140 --> 00:28:12,354
But you focus so much on the things that people are doing, right?
483
00:28:12,354 --> 00:28:14,637
but you're like, hey, here's the thing you're not considering.
484
00:28:14,637 --> 00:28:25,324
You know, for those who don't know, Troy Grady and Ben Eller are the people that have
defined the pickslanting conversation over the last couple of years.
485
00:28:25,324 --> 00:28:33,930
And if you don't know what pickslanting is and your guitarist listening to this, check out
all of the videos that Troy Grady and Ben have done because it's like, it really makes
486
00:28:33,930 --> 00:28:35,702
just an unbelievable difference.
487
00:28:35,702 --> 00:28:40,807
If you don't know what it is, it's basically take your guitar playing from I'm Stuck to
488
00:28:40,807 --> 00:28:41,610
playing anything.
489
00:28:41,610 --> 00:28:42,738
It's unbelievable.
490
00:28:42,738 --> 00:28:43,698
It's crazy man.
491
00:28:43,698 --> 00:28:44,958
Yeah, the Troy stuff man.
492
00:28:44,958 --> 00:28:55,398
I always have to give credit to you know, I I didn't I didn't discover anything that Troy
didn't you know, I just take what Troy showed me and I try to phrase it in my own words
493
00:28:55,398 --> 00:29:02,282
and see if it clicks with people, know Troy really did change everything for the world of
technical guitar playing for sure.
494
00:29:02,641 --> 00:29:03,111
Yeah.
495
00:29:03,111 --> 00:29:05,902
And it's so cool to have like those little dissects there, right?
496
00:29:05,902 --> 00:29:08,173
Like just how quick you dive on a technique.
497
00:29:08,173 --> 00:29:20,689
And you know, when we think about the amount of people that you've played for, the amount
of work that you've done, and just in general, there's so much that has like Ben Eller
498
00:29:20,689 --> 00:29:21,869
attached to it, you know?
499
00:29:21,869 --> 00:29:26,781
And it's so funny too, because like, you know, we worked on one theme a while ago for
Bruce Rogers.
500
00:29:26,781 --> 00:29:29,563
I was like, man, let's go ahead and have Ben on here.
501
00:29:29,563 --> 00:29:30,309
And it's just like...
502
00:29:30,309 --> 00:29:30,949
2020?
503
00:29:30,949 --> 00:29:32,009
that during COVID time?
504
00:29:32,009 --> 00:29:33,029
I think it was.
505
00:29:33,029 --> 00:29:33,514
Yeah.
506
00:29:33,514 --> 00:29:35,216
two, at least two to three years ago.
507
00:29:35,216 --> 00:29:37,668
And it's still one of my favorite themes that I've done.
508
00:29:37,668 --> 00:29:45,976
Cause again, I like doing stuff that's in more of that metal vein is, you know, I like to
kind of say I'm more of a metal player, but like in guitar nowadays, you basically do
509
00:29:45,976 --> 00:29:46,977
whatever, right?
510
00:29:46,977 --> 00:29:53,184
But like, I remember I got that solo back from you and I'm like, this probably took him
like 10 minutes to do.
511
00:29:53,184 --> 00:29:54,165
It's so good.
512
00:29:54,165 --> 00:29:56,767
Like I'm always just like, you do the assignment.
513
00:29:56,770 --> 00:30:05,126
hit pretty fast on and it was like I know exactly what I want to do here You know, I love
when that happens, you know that those are always The best ones whether it be solos or
514
00:30:05,126 --> 00:30:11,291
entire songs or whatever I don't know about you man like the ones that I Toil away on for
like a year at a time.
515
00:30:11,291 --> 00:30:20,999
Those never end up being the keepers It's always the ones where the inspiration hits hard
and fast and you just feel like you're getting this like Satellite laser beam from space
516
00:30:20,999 --> 00:30:23,140
just sending you the information, you know
517
00:30:23,140 --> 00:30:26,922
Those are always the best ones, ones where you don't have time to overthink.
518
00:30:27,353 --> 00:30:30,384
Exactly, and they tell you that all the time, like don't overthink it.
519
00:30:30,384 --> 00:30:38,708
If it sounds good and it feels like that's what it should be, you can go back and change
things later, sure, but like usually your heart and your brain kind of know what's going
520
00:30:38,708 --> 00:30:39,068
on.
521
00:30:39,068 --> 00:30:47,161
You know, you can overthink things until you're like dead and buried, but like you
literally, a lot of these things, the more you play, the more you write, you get in there.
522
00:30:47,161 --> 00:30:55,285
And I feel like when it comes to even doing some of these like entrance themes, I feel
like a lot of them, when you hear these people have talked over time, whether it's CFOs
523
00:30:55,285 --> 00:30:55,825
from
524
00:30:55,825 --> 00:31:01,700
you know, like more modern NXT or even Jim Johnston for the stuff that we're talking about
from the eighties, the nineties, the two thousands.
525
00:31:02,021 --> 00:31:06,186
It, it sounds like he knew very much what he was trying to do.
526
00:31:06,186 --> 00:31:09,469
Like think about like, you know, the stone cold theme, like glass shatters.
527
00:31:09,469 --> 00:31:11,313
I feel like that was written in like 10 minutes.
528
00:31:11,313 --> 00:31:12,083
dude.
529
00:31:12,083 --> 00:31:21,358
I'm serious and and you know, it's funny you mentioned that because I was exactly going
the same place in my brain and it's cool to see how a lot of those ultra memorable themes
530
00:31:21,358 --> 00:31:26,773
aren't even necessarily based around music It's based around a sound the undertaker the
bell.
531
00:31:26,773 --> 00:31:37,099
That's not a song but you hear that bell and you're like, the undertaker the dead man's
here You know the glass shattering that's stung cold period, you know, so it's funny how a
532
00:31:37,099 --> 00:31:37,809
lot of this stuff is
533
00:31:37,809 --> 00:31:42,537
more like audio design and then the music is kind of secondary in a way.
534
00:31:42,537 --> 00:31:44,230
Yeah, it is.
535
00:31:44,230 --> 00:31:46,415
And so that brings up the question.
536
00:31:46,415 --> 00:31:50,943
I know that you said Shawn Michaels and that theme, and we were talking about that
earlier.
537
00:31:50,943 --> 00:31:54,388
Is that your favorite theme of all time or do you have a favorite theme?
538
00:31:54,388 --> 00:31:55,550
that's a great question.
539
00:31:55,550 --> 00:32:02,654
always have loved, I mean, and again, I'm very old school with all this stuff, so I'm sure
there's a million newer ones that I'm missing out on that I don't know.
540
00:32:02,654 --> 00:32:05,075
I always really liked Ultimate Warriors theme.
541
00:32:05,075 --> 00:32:08,486
And then it was like years later, I heard Communication Breakdown by Led Zeppelin.
542
00:32:08,486 --> 00:32:10,917
And I'm like, wait, that's the Ultimate Warriors riff.
543
00:32:10,917 --> 00:32:13,497
Da da da da da da da da da da do.
544
00:32:13,497 --> 00:32:15,399
You know, it's like, that's pretty much the same thing.
545
00:32:15,399 --> 00:32:19,605
And it just, you know, as soon as you hear that riff, what else can you imagine other than
546
00:32:19,605 --> 00:32:25,328
that coked up lunatic just sprinting to the ring dressed up like a girl bike with his
tassels, right?
547
00:32:25,328 --> 00:32:26,787
um I love that one.
548
00:32:26,787 --> 00:32:28,330
love Razor Ramon's theme.
549
00:32:28,330 --> 00:32:30,662
I think Razor Ramon has a really underrated theme.
550
00:32:30,662 --> 00:32:32,993
It's kind of got that sort of Havana vibe to it.
551
00:32:32,993 --> 00:32:37,416
Really slick like synth chords over I think a static bass note if I recall.
552
00:32:37,416 --> 00:32:39,078
Always really liked that one a lot.
553
00:32:39,078 --> 00:32:41,679
Yeah, Stone Cold's dude, I mean that's legendary.
554
00:32:41,679 --> 00:32:43,450
You can't not like that
555
00:32:43,904 --> 00:32:47,005
I feel like Razor Ramones is very under appreciated.
556
00:32:47,005 --> 00:32:47,555
agree with you.
557
00:32:47,555 --> 00:32:51,266
Cause like that, that's one where it's like, okay, who's the character.
558
00:32:51,266 --> 00:32:56,537
And you know, in a way he's like smooth, but he's sleazy and like, you know, you think
about the ultimate warrior.
559
00:32:56,537 --> 00:32:57,288
What did he do?
560
00:32:57,288 --> 00:32:58,488
He ran to the ring.
561
00:32:58,488 --> 00:33:04,700
And then when he was on the ring, he shook the ropes and then he, his move was a splash
where he ran against the ropes.
562
00:33:04,700 --> 00:33:07,431
And then he was like, you know, it was just like so much speed.
563
00:33:07,431 --> 00:33:08,032
Yeah.
564
00:33:08,032 --> 00:33:11,072
Just like unbelievably like what, what else would it be?
565
00:33:11,072 --> 00:33:13,385
And you think about like Razor Ramones and like,
566
00:33:13,385 --> 00:33:23,254
the way he walked to the ring pre Scott Hall and NWO right but like you know he was he was
walking to the ring he was so smooth about it he he didn't rush to the ring at all there
567
00:33:23,254 --> 00:33:27,257
was no time where Scott Hall ran to the ring he was just like all right
568
00:33:27,257 --> 00:33:30,458
Did his theme did it also start off with a noise?
569
00:33:30,458 --> 00:33:33,870
Wouldn't it like almost like some tropical birds in the go?
570
00:33:35,031 --> 00:33:36,100
And then the theme started.
571
00:33:36,100 --> 00:33:44,227
theme, I know his theme had like some metallic sounds in it too, like going throughout it
and that was kind of like, that would be like where the snare is or like the down or
572
00:33:44,227 --> 00:33:45,128
something like that.
573
00:33:45,128 --> 00:33:46,539
But yeah, I forget.
574
00:33:46,539 --> 00:33:48,110
I think his might've.
575
00:33:48,110 --> 00:33:50,071
If it did, yeah.
576
00:33:51,213 --> 00:34:00,330
There's gonna be one weird one that I bring up, which a lot of people don't think about
now, cause he wasn't really around for that long, but he helped inspire the Bray Wyatt
577
00:34:00,330 --> 00:34:00,862
character.
578
00:34:00,862 --> 00:34:02,263
His name was Waylon Mercy.
579
00:34:02,263 --> 00:34:03,468
And if you know,
580
00:34:03,468 --> 00:34:08,511
like modern wrestling, Bray Wyatt's probably like one of my favorites of all time, God
rest his soul now.
581
00:34:08,511 --> 00:34:15,556
But like when he first kind of came onto the scene as Bray Wyatt, he had the white pants
and he had the the button down Hawaiian shirt.
582
00:34:15,556 --> 00:34:23,060
It was very much in that style of Cape Fear and very much in the style of a wrestler that
came before him named Waylon Mercy.
583
00:34:23,060 --> 00:34:25,672
And Waylon Mercy was kind of in that same creepy vein.
584
00:34:25,672 --> 00:34:29,772
Like he was in like 1995, 96 and
585
00:34:29,772 --> 00:34:35,654
He would come to the, I'm going to get probably the 90 something wrong, but give me a
four, four year range, ladies and gentlemen.
586
00:34:35,654 --> 00:34:39,477
but he would in his promos, he'd be like, when I get into that ring, you know what I mean?
587
00:34:39,477 --> 00:34:44,699
And like, he would be like the creepiest guy in the world, but then you'd hear his theme
and like.
588
00:34:45,219 --> 00:34:47,291
Bray Wyatt's theme was like really culty.
589
00:34:47,291 --> 00:34:54,203
Like Mark Crozer did a really good job on that song, but then you hear like this guy's
theme and I'll send it to you.
590
00:34:54,203 --> 00:34:55,474
It's not super creepy.
591
00:34:55,474 --> 00:34:58,545
It's one of the, the one offs that I think is like.
592
00:34:58,803 --> 00:35:02,397
maybe in wrestling history, maybe one of the ones that could have been done a little
better.
593
00:35:02,397 --> 00:35:09,634
And again, guy comes out looking like Bray doing all that, shaking hands totally Southern
and then having this crazy look when he puts his guy to sleep or hold, but he's got a
594
00:35:09,634 --> 00:35:11,586
knife drawn onto his head.
595
00:35:11,586 --> 00:35:14,268
Like he'd go, you'd have a little knife drill in his head.
596
00:35:14,268 --> 00:35:16,830
And then the music's like ding, ding, ding, ding, ding, ding, ding.
597
00:35:16,830 --> 00:35:21,654
And I'm like, I get you're trying to do that duality, but that was probably one of the
only misses for me ever.
598
00:35:21,654 --> 00:35:27,779
But all the other ones that, and I know you didn't bring that one up, but all the other
ones that you were bringing up, yeah, those are.
599
00:35:27,779 --> 00:35:28,820
Those are amazing.
600
00:35:28,820 --> 00:35:33,103
And I think just when you think about themes in general, like, yeah, those are the ones.
601
00:35:33,103 --> 00:35:35,345
Those are obviously the ones that you would go to.
602
00:35:35,345 --> 00:35:38,194
Macho Man's was always great, pomp and circumstance.
603
00:35:38,194 --> 00:35:40,434
man, that's like the pageantry.
604
00:35:40,434 --> 00:35:43,454
You know, they really rolled out the red carpet on that one.
605
00:35:43,454 --> 00:35:44,074
I liked it.
606
00:35:44,074 --> 00:35:47,354
And again, speaking of dearly departed man, just lost Sabu.
607
00:35:47,354 --> 00:35:48,894
I always liked Sabu's theme a lot.
608
00:35:48,894 --> 00:35:49,934
Sabu is one of my guys.
609
00:35:49,934 --> 00:35:51,814
That's always been one of my dudes.
610
00:35:51,814 --> 00:35:54,334
Sabu's theme kind of flies under the radar, but I think it's really cool too.
611
00:35:54,334 --> 00:35:55,694
Kind of exotic sounding.
612
00:35:55,815 --> 00:35:56,815
Rest in peace to Sabu.
613
00:35:56,815 --> 00:36:07,555
Like you said, it's a, it's a shame he's 60 gone, gone too soon, but you really think
about like his contributions in ECW and ECW did so much from the music side.
614
00:36:07,555 --> 00:36:09,255
Like you'll hear Paul Mahamon talk about it.
615
00:36:09,255 --> 00:36:11,435
He's like, we didn't really care about music rights.
616
00:36:11,435 --> 00:36:12,975
We just kind of did it.
617
00:36:12,975 --> 00:36:14,475
Like you had walk for what's his name.
618
00:36:14,475 --> 00:36:17,475
You had walk for a Rob Van Dam, which was super cool.
619
00:36:17,475 --> 00:36:18,415
Yeah.
620
00:36:18,815 --> 00:36:19,946
So yeah, it was.
621
00:36:19,946 --> 00:36:25,661
you get the licensed one that really pops like how I'm seeing punk and like, culture
personality, right?
622
00:36:27,443 --> 00:36:36,171
Like you hear that riff and you just think see him punk like every now and then you need a
licensed song to really, you know, hook up with a wrestler's persona and that can work
623
00:36:36,171 --> 00:36:36,921
too.
624
00:36:37,279 --> 00:36:39,791
Yeah, he's always had great themes throughout his career.
625
00:36:39,791 --> 00:36:44,395
And like before that he had kill switching gauges, this fire burns and that was great.
626
00:36:44,395 --> 00:36:45,136
Yeah.
627
00:36:45,136 --> 00:36:46,977
And that was so shocking when he came back.
628
00:36:46,977 --> 00:36:52,416
Cause you know, he had that going into money in the bank 2011 and it was like, he's not
going to leave with the belt.
629
00:36:52,416 --> 00:36:53,397
Cause they're not going to let him do that.
630
00:36:53,397 --> 00:36:55,155
And he left with the belt and he did his thing.
631
00:36:55,155 --> 00:36:57,277
And then they're like, seven days later, come back.
632
00:36:57,277 --> 00:36:58,899
he had cult of personality.
633
00:36:58,899 --> 00:37:02,041
And it's just, it's such an iconic theme now.
634
00:37:02,041 --> 00:37:05,632
And when he left, went to AEW and then.
635
00:37:05,632 --> 00:37:08,173
was out and then came back to WWE.
636
00:37:08,173 --> 00:37:09,503
No one knew he was going to call.
637
00:37:09,503 --> 00:37:13,294
A lot of people were like, there's no way CM Punk's coming back because look at what he
said.
638
00:37:13,294 --> 00:37:22,937
But all of a sudden the day before he, it's either the day before or the day he comes
back, living color put out a remixed version of it, like where they replayed it and re
639
00:37:22,937 --> 00:37:24,417
saying it and things.
640
00:37:24,558 --> 00:37:33,520
And you're just like, either they got really smart PR people and they're just like, we're
going to play up the fact that survivor series is in Chicago and he's there.
641
00:37:33,536 --> 00:37:34,739
Or he's coming back tonight.
642
00:37:34,739 --> 00:37:36,662
I don't know what we're doing, but...
643
00:37:36,750 --> 00:37:38,190
Wow, dude.
644
00:37:38,370 --> 00:37:39,210
That's funny.
645
00:37:39,210 --> 00:37:43,710
Oh, I really like, um, we were talking about how Shawn Michaels sang his own song.
646
00:37:44,150 --> 00:37:46,030
Um, I'm, I'm drawing a blank right now, dude.
647
00:37:46,030 --> 00:37:47,350
Uh, Fozzy.
648
00:37:48,070 --> 00:37:49,130
Um, thank you.
649
00:37:49,130 --> 00:37:49,770
Chris Jericho.
650
00:37:49,770 --> 00:37:52,182
His, his intro music is fantastic.
651
00:37:52,662 --> 00:37:53,232
Yeah.
652
00:37:53,232 --> 00:37:53,533
Yeah.
653
00:37:53,533 --> 00:38:00,518
He's so when you talk about him, you got to talk about the WWE one and you got to talk
about the one he uses now, Judas, which is from Fozzy.
654
00:38:00,518 --> 00:38:00,848
Yeah.
655
00:38:00,848 --> 00:38:01,668
Both of them are good.
656
00:38:01,668 --> 00:38:07,394
He's a, he's got, he's got the love of being able to have a really good entrance themes
over his career.
657
00:38:07,394 --> 00:38:11,587
And if your band can write and you're going to use one of your songs, do that one.
658
00:38:11,587 --> 00:38:15,245
Judas is great, but yeah.
659
00:38:15,245 --> 00:38:18,887
I remember loving his WWE WWF theme though break the walls down.
660
00:38:18,887 --> 00:38:25,913
remember like he would stand out on the stage with the arms crossed and little eight year
old me was like, yeah, my room with it.
661
00:38:25,913 --> 00:38:27,345
That was it.
662
00:38:27,345 --> 00:38:30,874
When you were a kid, who was the wrestler that you like most identified with?
663
00:38:30,874 --> 00:38:33,380
Were you like, I want to grow up and be that guy.
664
00:38:33,678 --> 00:38:35,149
I think it was Chris Jericho.
665
00:38:35,149 --> 00:38:37,020
It was either Chris Jericho or the Rock.
666
00:38:37,020 --> 00:38:42,364
And I think it's like, for me, I'd say Shawn Michaels is one, is probably my favorite of
all time.
667
00:38:42,364 --> 00:38:47,307
But like, you know, there is so much dancing that you can do in public.
668
00:38:47,307 --> 00:38:52,662
So you're kind of like, all right, like maybe not, but Chris Jericho to me, he was always
so funny.
669
00:38:52,662 --> 00:38:54,573
And I loved him in WCW too.
670
00:38:54,573 --> 00:38:55,653
He was so funny.
671
00:38:55,653 --> 00:38:56,554
He had the long hair.
672
00:38:56,554 --> 00:38:57,775
He was such a rocker.
673
00:38:57,775 --> 00:39:00,568
He would call people by the wrong names and like.
674
00:39:00,568 --> 00:39:04,091
He was just so cool and charismatic and that he had the best theme.
675
00:39:04,091 --> 00:39:10,295
And he was also like, back then there weren't lots of people doing like moon salts and
things like that.
676
00:39:10,295 --> 00:39:12,907
You know, he was just, I loved him for me.
677
00:39:12,907 --> 00:39:17,240
was like, man, if I could be a Chris Jericho when I grow up, I'll, I'll be me a Chris
Jericho.
678
00:39:17,240 --> 00:39:18,961
Yes, absolutely.
679
00:39:18,961 --> 00:39:21,243
And then everyone wants to either be the rock or stone cold.
680
00:39:21,243 --> 00:39:22,924
Cause they're just like, okay, cool.
681
00:39:22,924 --> 00:39:26,566
Those are like the two larger than life guys, the one a and the one B.
682
00:39:26,767 --> 00:39:27,747
All right.
683
00:39:28,288 --> 00:39:29,178
Yeah.
684
00:39:30,004 --> 00:39:30,845
man, that's so cool.
685
00:39:30,845 --> 00:39:34,227
And now we talk all about like what I was sending you the other day.
686
00:39:34,507 --> 00:39:41,100
Adam from tool being on Penta's theme and then being on Ray Phoenix's theme.
687
00:39:41,100 --> 00:39:42,261
That rules, man.
688
00:39:42,261 --> 00:39:46,034
It's also cool to see that, you know, I mean, it's, it's Adam Jones from tool.
689
00:39:46,034 --> 00:39:48,185
It's like, dude, doesn't have to write extra music.
690
00:39:48,185 --> 00:39:54,440
Guy could probably not work another day in his life and he'd be fine, you know, but he
still is just like, man, that sounds rad.
691
00:39:54,440 --> 00:39:55,391
I'll totally do that.
692
00:39:55,391 --> 00:39:58,353
That shows like love for it, which I really appreciate.
693
00:39:58,372 --> 00:39:58,872
Yeah.
694
00:39:58,872 --> 00:40:04,513
And you know, a couple of years ago, he had the picture of him on stage with the Pentagon
mask, which is the guy he had done the theme for.
695
00:40:04,513 --> 00:40:06,014
I was like, this is so cool.
696
00:40:06,014 --> 00:40:12,326
And like, you know, it's cool when you see people in media taking those little bits and
being like, okay, cool.
697
00:40:12,326 --> 00:40:13,586
Like I actually watch wrestling.
698
00:40:13,586 --> 00:40:15,647
Cause like you said, it's so niche.
699
00:40:15,647 --> 00:40:22,139
And even now, even now that, you know, states are going, we're going to bring it here and
we're going to pay to have it here.
700
00:40:22,139 --> 00:40:22,969
It's still niche.
701
00:40:22,969 --> 00:40:26,458
And I, I tell people as people don't believe me, but like when I
702
00:40:26,458 --> 00:40:29,170
travel for work or I travel for anything.
703
00:40:29,170 --> 00:40:35,374
You know, I usually tell people I do the wrestling entrance themes because you know, when
you explain the other sides of work, it's like, all right, cool, it is what it is.
704
00:40:35,374 --> 00:40:38,836
But when you explain the entrance themes thing, it's just kind of a fun conversation.
705
00:40:38,836 --> 00:40:45,300
And the first word out of lot of people's mouths are, man, yeah, like WWF man is, yeah, is
the rock still wrestling and things like that.
706
00:40:45,300 --> 00:40:51,218
And you're like, you know, it's not a dig on anyone, but it still tells you how niche of a
product it is, you know.
707
00:40:51,218 --> 00:40:59,774
It's the same way with like with metal in a lot of ways where the awareness of it from a
public eye perspective is higher than it's ever been.
708
00:40:59,774 --> 00:41:06,658
Like more people are aware of who, know, Metallica is or whatever, any, any metal band,
more people are aware of it.
709
00:41:07,620 --> 00:41:08,760
Yeah, exactly, man.
710
00:41:08,760 --> 00:41:09,131
Exactly.
711
00:41:09,131 --> 00:41:10,161
And wrestling is the same way.
712
00:41:10,161 --> 00:41:15,275
like, yeah, people are a lot more aware of it now than they were when I was a kid, but
yeah, you're right.
713
00:41:15,275 --> 00:41:19,850
It doesn't necessarily mean up to date and super knowledgeable about it.
714
00:41:19,850 --> 00:41:21,860
but the awareness is up,
715
00:41:22,236 --> 00:41:22,576
Yeah.
716
00:41:22,576 --> 00:41:28,136
And it's so interesting because you don't expect them to go to a tool show and see him
wearing a Pentagon mask.
717
00:41:28,136 --> 00:41:35,556
Cause even at that time, I think that picture was when he was in triple AR or he was
doing, um, like Lucha underground and things like that.
718
00:41:35,556 --> 00:41:37,436
So it's like, it's not one of these things.
719
00:41:37,436 --> 00:41:37,576
Yeah.
720
00:41:37,576 --> 00:41:43,736
It's not like, Oh, he did it in 2025 when, you know, Penta came to WWE or when he was in
AEW, right?
721
00:41:43,736 --> 00:41:50,196
A couple of years ago, you're talking about like fairly not in the public eye kind of
thing.
722
00:41:50,196 --> 00:41:50,776
You know?
723
00:41:50,776 --> 00:41:51,693
So for me, it's.
724
00:41:51,693 --> 00:41:53,454
to do it before it's cool, right?
725
00:41:53,454 --> 00:41:54,024
Exactly.
726
00:41:54,024 --> 00:41:54,444
Yeah.
727
00:41:54,444 --> 00:41:57,216
And so for me, I'm just like, man, I love the fact.
728
00:41:57,216 --> 00:41:58,787
they brought it up on TV too.
729
00:41:58,787 --> 00:42:02,829
They were like, this was from Tool or this was from Adam Jones from Tool.
730
00:42:02,829 --> 00:42:05,150
He went ahead and laid guitars over the theme.
731
00:42:05,150 --> 00:42:09,353
you know, the thing is with a lot of these companies now, they use like libraries, right?
732
00:42:09,353 --> 00:42:11,614
And the library track, it's cool.
733
00:42:11,614 --> 00:42:15,536
And then if they go, we're going to update it to the guy super over, we'll make something
custom for him.
734
00:42:15,536 --> 00:42:17,697
So like, it's another one of these things.
735
00:42:17,697 --> 00:42:19,738
Penta comes in, he's got this cool track.
736
00:42:19,738 --> 00:42:23,310
It's probably from a library, but I'm just like, there's again.
737
00:42:23,398 --> 00:42:26,534
there's no reason for Adam Jones to have done it.
738
00:42:26,534 --> 00:42:27,656
And then he's on it.
739
00:42:27,656 --> 00:42:30,100
And you're just like, sounds so much cooler now.
740
00:42:30,100 --> 00:42:34,527
And it's like, why don't we get all the guys on all the tracks because it's that cool.
741
00:42:34,527 --> 00:42:34,978
So
742
00:42:34,978 --> 00:42:35,749
way, right?
743
00:42:35,749 --> 00:42:36,209
You know what?
744
00:42:36,209 --> 00:42:39,123
That kind of brings an interesting thing to mind that I was going to ask you about too.
745
00:42:39,123 --> 00:42:44,358
Like, is there any movement within what you do of writing these themes for wrestlers?
746
00:42:44,358 --> 00:42:49,504
Is there any movement towards people just like ditching paying artists and using AI?
747
00:42:49,504 --> 00:42:53,730
Like, Hey, AI, write a wrestling theme for this zombie wrestler.
748
00:42:53,730 --> 00:42:55,642
Is there any movement towards that?
749
00:42:56,006 --> 00:43:06,180
I've had a few talents who have said that their promotional use AI because it's easier and
the thing is You know when I got into doing entrance themes about 2020 we I was doing a
750
00:43:06,180 --> 00:43:11,953
podcast with a couple buddies of mine and You know, we were interviewing people and I
would ask them I go how do you guys get?
751
00:43:11,953 --> 00:43:19,355
Music to use and at that point understand streaming wasn't as big there wasn't this
Triller fight all these things like as prominent as they are now
752
00:43:19,379 --> 00:43:26,199
And people were just like, man, we just go to the shows, we choose a song, and we hope we
don't get sued, and we hope it's not used by the person coming out after us, right?
753
00:43:26,199 --> 00:43:29,919
So like, this was really before AI started picking up.
754
00:43:29,919 --> 00:43:33,639
And so I was writing a lot of themes, and I'm still grateful to be writing a lot of
themes.
755
00:43:33,639 --> 00:43:42,139
But nowadays you'll have a lot of these companies who will go, well, we're going to stream
on Triller, or we're going to stream on one of these apps, and even on YouTube.
756
00:43:42,139 --> 00:43:46,705
And so instead of us having to get something from a library or, again,
757
00:43:46,705 --> 00:43:50,897
Wrestlers don't need to be lawyers knowing what certain things say.
758
00:43:50,897 --> 00:43:55,238
like, you know, they're going to rely on whoever's given them a real lease to say whatever
it's got to say.
759
00:43:55,238 --> 00:43:55,759
Right.
760
00:43:55,759 --> 00:43:59,021
It's probably easier for a lot of promoters to go, well, let's do something AI.
761
00:43:59,021 --> 00:44:09,527
The one thing I will say is while I do know that the practice exists and wrestlers, thank
you very much for this because y'all are great and y'all are doing the Lord's work here.
762
00:44:09,527 --> 00:44:15,763
I've had a lot of people come to me and be like, yeah, I hadn't a track done by AI, but I
want something done by a human.
763
00:44:15,763 --> 00:44:17,990
not just by me, but by a human.
764
00:44:17,990 --> 00:44:19,905
And I'm like, that's really cool.
765
00:44:19,905 --> 00:44:22,673
And I can even think of like three right off the bat, you know, it's.
766
00:44:22,673 --> 00:44:27,871
kind of like the equivalent of giving you a sketch on a napkin and being like, I want
this, but better.
767
00:44:28,157 --> 00:44:30,580
Yeah, and I think that's the power of AI.
768
00:44:30,580 --> 00:44:37,948
I think there's a lot of, we can talk a lot about AI, we're not going to now, but I think
that there's a lot of power in that.
769
00:44:37,948 --> 00:44:48,449
People that don't know and people that can't do a certain thing, using the tool to help
them ideate and them going, that's great, let me go over here and get someone to do it
770
00:44:48,449 --> 00:44:48,920
right.
771
00:44:48,920 --> 00:44:51,492
Or, yeah.
772
00:44:51,492 --> 00:45:00,457
you're right to the common person who has no musical ability, but they need a piece of
music to suit a certain thing like what you're talking about, but they don't have the they
773
00:45:00,457 --> 00:45:04,051
don't have the vocabulary to explain it to an actual musician.
774
00:45:04,051 --> 00:45:07,653
That could be an effective tool to be like, I'm trying to communicate what I want.
775
00:45:07,653 --> 00:45:11,926
I had a I spit this out because I don't speak your language as a musician.
776
00:45:11,926 --> 00:45:14,158
So please take this and do it up right.
777
00:45:14,158 --> 00:45:15,759
Do it like a real musician would.
778
00:45:15,759 --> 00:45:19,672
I hope that more people have that level of integrity to use it that way.
779
00:45:19,672 --> 00:45:21,232
We'll see.
780
00:45:21,706 --> 00:45:23,797
Yeah, it's a crazy world with that.
781
00:45:23,797 --> 00:45:34,279
I will say that I think that the more time goes on, the more you're seeing that kind of
separation between AI and the human side, because there's always going to be, you know,
782
00:45:34,279 --> 00:45:35,723
and I'm no stranger to it.
783
00:45:35,723 --> 00:45:39,845
I'd love to use more drummers in the work that I do because drummers, y'all are
phenomenal.
784
00:45:39,845 --> 00:45:41,971
And, you know, I'd love to be able to bring it in.
785
00:45:41,971 --> 00:45:48,119
A lot of the times I do end up writing in drum parts into drum machines and being able to
use those for a lot of the work that I do.
786
00:45:48,119 --> 00:45:49,440
But I'm still composing it.
787
00:45:49,440 --> 00:45:54,336
One thing I really try to make sure that I don't do is use loops that are musically
driven.
788
00:45:54,336 --> 00:46:02,722
If I need an explosion sound effect, yes, I will use an explosion sound effect, but that's
also using a sitar to get a certain sound or an acoustic.
789
00:46:02,722 --> 00:46:10,069
But if I had to have the sitar play something for me, I'm like, well, that's when we start
to get into non-creative dicey territory, in my opinion.
790
00:46:10,069 --> 00:46:14,378
um But I think that a lot of people are starting to see that...
791
00:46:14,378 --> 00:46:22,630
even though AI is, you know, in a lot of ways decent, there is something to having that
human element, even if it's just that extra little bit.
792
00:46:22,630 --> 00:46:28,212
It's that little extra little bit to tell the person, can you add like an extra second of
silence here?
793
00:46:28,212 --> 00:46:30,303
And like, can you do this little thing?
794
00:46:30,303 --> 00:46:32,813
Because the computer doesn't get what I'm doing.
795
00:46:32,813 --> 00:46:33,633
know?
796
00:46:35,154 --> 00:46:36,754
Exactly, yeah.
797
00:46:36,754 --> 00:46:42,516
you know, it's a lot, and I think there will always be a struggle kind of with AI,
especially nowadays, but I think that...
798
00:46:42,520 --> 00:46:43,360
I think we're doing it.
799
00:46:43,360 --> 00:46:45,361
think we're to a degree we're doing it.
800
00:46:45,361 --> 00:46:54,163
I think if you watch Mary Spender's last video and like the modern state of music industry
and like, yeah, she's, she's always great and she's super transparent about everything.
801
00:46:54,163 --> 00:47:02,946
And I love that she has that transparency to her, but she's also talked about like, well,
even though AI and Spotify and all that stuff is here, there's still a lot of hope for
802
00:47:02,946 --> 00:47:03,406
what we do.
803
00:47:03,406 --> 00:47:10,798
And I love that because it talks about like authenticity and even in wrestling, it's like,
you know, if you're cookie cutter doing something, it's one thing, but you still got to go
804
00:47:10,798 --> 00:47:11,564
to a show.
805
00:47:11,564 --> 00:47:13,286
You still got to watch someone on TV.
806
00:47:13,286 --> 00:47:14,868
They still got to connect with you.
807
00:47:14,868 --> 00:47:25,533
And I think that what AI does show is that, things can be done by other, robots or by code
or whatever, but you're always still going to have to have that authenticity to what you
808
00:47:25,533 --> 00:47:26,004
do.
809
00:47:26,004 --> 00:47:26,516
So.
810
00:47:26,516 --> 00:47:27,737
exactly, exactly.
811
00:47:27,737 --> 00:47:37,540
And, ultimately all those AI models that we currently have access to are all just
gathering information by scraping it off the work of actual human creativity.
812
00:47:37,980 --> 00:47:48,244
You know, so it is ultimately all human based, you know, all of that stuff that we consume
that's AI based is ultimately taken from human experience.
813
00:47:48,666 --> 00:47:49,397
Exactly.
814
00:47:49,397 --> 00:47:57,784
One of the things that AI will never take are again when you have that dead and lovely
Facebook group, which was so active and still is active pretty, which is cool.
815
00:47:58,185 --> 00:48:01,809
You guys would always be like, Hey, ask us questions for the show.
816
00:48:01,809 --> 00:48:09,351
And my dumb ass would always be the one like, Hey, if you had to make a WrestleMania with
a bunch of horror people, who would they be?
817
00:48:09,351 --> 00:48:10,152
fun, dude.
818
00:48:10,152 --> 00:48:14,174
Anytime we did like a, an FAQ thing on the show, it was always so fun.
819
00:48:14,174 --> 00:48:20,568
And I love those kinds of questions specifically, you know, cause that's just an excuse to
get creative and get stupid, man.
820
00:48:20,568 --> 00:48:26,755
Those are, those are the parts of the show that I miss honestly, like, or just the excuses
to be stupid on air.
821
00:48:26,755 --> 00:48:28,907
Well, you guys had such a great show too.
822
00:48:28,907 --> 00:48:33,851
like, you know, at one point, I'm sure it's like, well, how far, how many horror movies
are there?
823
00:48:33,851 --> 00:48:43,569
You know, but it's a lot, it's a lot, but you also had such a vibrant group of people who
were in that group, just all talking about horror, talking about wrestling, talking about
824
00:48:43,569 --> 00:48:44,369
just like everything.
825
00:48:44,369 --> 00:48:45,970
And it was so super cool.
826
00:48:45,970 --> 00:48:48,752
you know, I'm always, yeah, I still go back and listen to those.
827
00:48:48,752 --> 00:48:49,337
Hell yeah.
828
00:48:49,337 --> 00:48:49,978
It's so cool.
829
00:48:49,978 --> 00:48:55,940
man and it was really fun to see that community grow as something beyond like because the
show was never just about horror movies.
830
00:48:55,940 --> 00:49:04,344
You know, we always made it very clear the show is just an excuse for us to hang out and
shoot the shit every week and we had to talk about a movie later on in the show.
831
00:49:04,344 --> 00:49:12,889
So I always appreciated that our fans and our Facebook group and all that reflected that
where it wasn't just people talking about horror stuff.
832
00:49:12,889 --> 00:49:13,659
It was.
833
00:49:13,731 --> 00:49:22,649
Everything within the entire sphere of everything we talked about on the show, included
guitar stuff and wrestling and cooking and whatever else, you know.
834
00:49:23,282 --> 00:49:25,753
Now, I'm gonna ask you two questions before we're done.
835
00:49:25,753 --> 00:49:27,905
And one of them is very much in the vein of that.
836
00:49:27,905 --> 00:49:36,049
Because I feel like, you know, with how long we've known each other with this, with
Deadly, with all that stuff, it would be inappropriate for me to not throw in a question
837
00:49:36,049 --> 00:49:37,209
about build this.
838
00:49:37,209 --> 00:49:49,255
So, as we are both in that guitar ecosystem here, I asked you a while ago, for the Dead
and Lovely, if you had to build a WrestleMania card all about horror people, who would you
839
00:49:49,255 --> 00:49:50,256
put in and why?
840
00:49:50,256 --> 00:49:51,825
If you had to build...
841
00:49:51,825 --> 00:49:53,468
Let's say a three card match.
842
00:49:53,468 --> 00:49:56,575
So three matches with guitarists.
843
00:49:56,575 --> 00:49:59,116
Who would they be and what would be some of the matches?
844
00:49:59,116 --> 00:50:02,548
man, oh That's brutal.
845
00:50:02,548 --> 00:50:03,859
Okay.
846
00:50:03,859 --> 00:50:04,277
All right.
847
00:50:04,277 --> 00:50:11,996
So first match I want to see I want to see the battle of the bar I'm talking about the
whammy bar masters Jeff Beck and Steve Vai.
848
00:50:11,996 --> 00:50:15,314
I want to see them go bar to bar Rocking it out.
849
00:50:15,314 --> 00:50:18,945
See who can control that that'll kickstand more better.
850
00:50:18,945 --> 00:50:22,868
So the battle of the bars I want to see a total package match.
851
00:50:23,108 --> 00:50:24,945
Okay total package being
852
00:50:24,945 --> 00:50:28,567
guys that are equally insane riffers and shredders.
853
00:50:28,927 --> 00:50:32,880
So I'm thinking Dimebag Darryl versus Vogue from Decapitated.
854
00:50:32,880 --> 00:50:35,932
Because Vogue is one of the ultimate total package players.
855
00:50:35,932 --> 00:50:40,024
That would be like, that would be the underdog in that match, you know?
856
00:50:40,143 --> 00:50:41,666
And good call on Decapitated too.
857
00:50:41,666 --> 00:50:51,062
I feel like in the world of guitaring and the world of metal, Decapitated has been around
for years, but no matter how long they've been around for, still incredibly underrated.
858
00:50:51,062 --> 00:50:51,919
my God.
859
00:50:51,919 --> 00:51:02,452
dude people sleep on that band like crazy, and I don't understand why like the guitar
playing is bananas Yeah, but also the songs are so freakin sick man.
860
00:51:02,452 --> 00:51:11,584
I Love that band and again Vogue is a total package player say so battle the bar total
package and gosh, I gotta think of a good one here.
861
00:51:11,584 --> 00:51:15,408
I got something something good to get these guys going toe-to-toe
862
00:51:15,408 --> 00:51:18,796
Is there anybody that came to mind for you whenever you thought up this question?
863
00:51:19,154 --> 00:51:19,895
I don't know.
864
00:51:19,895 --> 00:51:22,834
For me, there's so many great guitarists.
865
00:51:22,834 --> 00:51:25,540
And the thing is like, yeah.
866
00:51:26,122 --> 00:51:26,945
Go ahead.
867
00:51:26,945 --> 00:51:27,631
no, go ahead with it.
868
00:51:27,631 --> 00:51:28,462
Yeah, yeah, you got it.
869
00:51:28,462 --> 00:51:29,143
Keep it up.
870
00:51:29,143 --> 00:51:31,063
I want to have I want to have a freak show match.
871
00:51:31,063 --> 00:51:37,663
I want to have Buckethead versus John 5 get the real theatrical guys together, you know,
have them duke it out.
872
00:51:37,663 --> 00:51:40,955
I want to see the battle of the of the freak show players.
873
00:51:41,380 --> 00:51:43,271
my God, that'd be perfect too.
874
00:51:43,271 --> 00:51:45,434
And they both obviously have to be full garb and everything.
875
00:51:45,434 --> 00:51:49,228
None of the John five without the makeup, like totally like how he would play live.
876
00:51:49,228 --> 00:51:50,380
Absolutely.
877
00:51:50,380 --> 00:51:51,400
my gosh.
878
00:51:51,461 --> 00:51:52,342
That'd be a good one.
879
00:51:52,342 --> 00:51:55,665
And now I'm thinking, I'm like, man, who would it be?
880
00:51:55,665 --> 00:52:00,920
I feel like it'd have to be like for world championship, would have to be Steve Vai versus
Guthrie Govan.
881
00:52:00,945 --> 00:52:02,770
yeah, dude, now we're talking.
882
00:52:02,852 --> 00:52:06,574
Yeah, like it's like the A1 and the AB like we always talk about.
883
00:52:06,574 --> 00:52:12,368
That's like the stone cold versus the rock of guitar playing, you know, and no disrespect
to anybody else.
884
00:52:12,368 --> 00:52:15,162
but then you have who else?
885
00:52:15,162 --> 00:52:17,111
feel like it would just be Guthrie Govan versus everybody.
886
00:52:17,111 --> 00:52:21,913
The legacy guys Guthrie Govan versus Satriani, you know, all those, you know what you
could do?
887
00:52:21,913 --> 00:52:23,414
You could have a really good matchup.
888
00:52:23,414 --> 00:52:29,882
You could have Kirk Hammett versus, Joe Satriani and have that be a whole teacher to
mentor kind of thing.
889
00:52:29,882 --> 00:52:32,065
there's a lot of storyline right there, right?
890
00:52:32,065 --> 00:52:33,487
Teacher versus student match.
891
00:52:33,487 --> 00:52:34,748
I like how that sounds a lot.
892
00:52:34,748 --> 00:52:37,481
You can do the same thing with five versus snatch as well there.
893
00:52:37,599 --> 00:52:38,872
I like it.
894
00:52:38,872 --> 00:52:41,425
Bys got the height advantage man.
895
00:52:42,203 --> 00:52:43,628
yeah, you know what's interesting?
896
00:52:43,628 --> 00:52:45,594
None of us brought up Malmsteen for anything.
897
00:52:45,594 --> 00:52:48,866
oh
898
00:52:49,179 --> 00:52:51,243
step into the ring with the Viking?
899
00:52:51,243 --> 00:52:52,345
None of us, man.
900
00:52:52,345 --> 00:52:53,697
Too intimidated.
901
00:52:53,795 --> 00:52:54,756
You know what though?
902
00:52:54,756 --> 00:53:02,840
I am gonna throw this one out there and I don't know why and I think it's just because
again he's just a monster of a player but he's also ripped to the gills even though he's
903
00:53:02,840 --> 00:53:03,340
older.
904
00:53:03,340 --> 00:53:05,882
George Lynch versus Yngwie Malmsteen?
905
00:53:05,882 --> 00:53:07,024
Like that'd be one.
906
00:53:07,024 --> 00:53:10,447
or or Petrushy because Petrushy is Jack too, right?
907
00:53:12,690 --> 00:53:14,861
That'd be like the hunk match, right?
908
00:53:16,672 --> 00:53:17,512
my God, that'd be great.
909
00:53:17,512 --> 00:53:18,112
And you know what?
910
00:53:18,112 --> 00:53:23,135
I'll throw one in for the, for our female brethren here as well, because I'm so happy.
911
00:53:23,135 --> 00:53:24,985
And I say this all the time with my students.
912
00:53:24,985 --> 00:53:28,996
I'm so happy that a lot of my students are girls now for guitar too.
913
00:53:28,996 --> 00:53:37,479
Cause I'm just like, man, I love the fact of seeing that next generation of guitarists
really get into it and it not just being dudes and seeing like girls really rock out on
914
00:53:37,479 --> 00:53:37,811
it.
915
00:53:37,811 --> 00:53:39,091
Should I put Gretchen Menon?
916
00:53:39,091 --> 00:53:39,931
Yes, I'm going to put Gretchen.
917
00:53:39,931 --> 00:53:43,171
I'm going to put Gretchen Menon and Anne Wilson because that one.
918
00:53:43,171 --> 00:53:45,071
Yeah, they're both phenomenal players.
919
00:53:45,071 --> 00:53:49,151
I almost feel like that one wouldn't even be like there'd be no grudge there.
920
00:53:49,151 --> 00:53:50,711
It would literally just be both of them.
921
00:53:50,711 --> 00:53:51,551
Well, here we are.
922
00:53:51,551 --> 00:53:52,651
Let's just shred together.
923
00:53:52,651 --> 00:53:55,311
And then it would be like a total like pose down kind of thing.
924
00:53:55,311 --> 00:53:56,451
It'd be awesome.
925
00:53:56,876 --> 00:53:58,429
I love how that sounds.
926
00:53:58,429 --> 00:54:02,441
That's amazing, But yeah, you're right, man.
927
00:54:02,441 --> 00:54:06,503
The explosion of female guitar players for the future is huge, man.
928
00:54:06,503 --> 00:54:08,443
That is a huge wave that's coming.
929
00:54:08,759 --> 00:54:09,240
Yeah.
930
00:54:09,240 --> 00:54:11,492
And you know, you hear so many good ones now.
931
00:54:11,492 --> 00:54:20,842
And I'm just like, every time you go on Instagram, every time you hear a new record come
out, it's just like, man, I wish we would have had so many more of these players
932
00:54:20,842 --> 00:54:25,457
throughout time, just because I wish there was even so much more of a highlight, like just
over time.
933
00:54:25,457 --> 00:54:27,349
But now, now the internet's given that to us.
934
00:54:27,349 --> 00:54:27,638
So.
935
00:54:27,638 --> 00:54:38,237
I think too that you're seeing the power of representation at work there too, you know,
because when, I was a kid, if you were a girl that played guitar, I mean, we had like lead
936
00:54:38,237 --> 00:54:44,265
afford, you know, there just weren't many, you know, yeah, yeah, the chicks from heart.
937
00:54:44,265 --> 00:54:46,096
but it wasn't really about their playing.
938
00:54:46,096 --> 00:54:48,008
It was about the singing and the songs and all that.
939
00:54:48,008 --> 00:54:49,969
So there just wasn't that much representation.
940
00:54:49,969 --> 00:54:53,832
So I would imagine if you were a young female back then,
941
00:54:53,938 --> 00:55:00,834
It was hard to imagine yourself taking that spot because you didn't see yourself
represented that way in media and in music and all that.
942
00:55:00,834 --> 00:55:06,829
But nowadays, I mean, I'm no Taylor Swift fan by any means, although by all accounts, a
wonderful person.
943
00:55:06,829 --> 00:55:10,041
I've known people who've worked on her crew and she's treated her crew like gold.
944
00:55:10,041 --> 00:55:15,146
So I appreciate that about her, but I'm not necessarily a fan of her music, but I think
just.
945
00:55:15,547 --> 00:55:21,268
You know, for a lot of for a lot of girls that they're seeing like, my God, this is a girl
that plays guitar.
946
00:55:21,268 --> 00:55:23,131
and she's making it, she's on the screen.
947
00:55:23,131 --> 00:55:24,855
There's that representation factor.
948
00:55:24,855 --> 00:55:28,923
Here's somebody that looks like me that's doing what I wanna do and they're nailing it.
949
00:55:28,923 --> 00:55:30,505
Maybe that means I got a chance at it.
950
00:55:30,505 --> 00:55:32,658
I think we're seeing the power of representation.
951
00:55:33,286 --> 00:55:34,107
I agree with that too.
952
00:55:34,107 --> 00:55:41,436
And because you brought up Taylor Swift before I ask you the final question, because you
brought up Taylor Swift, do you know who Taylor Swift used to babysit for who's in the
953
00:55:41,436 --> 00:55:42,628
wrestling industry?
954
00:55:43,212 --> 00:55:44,336
No.
955
00:55:44,562 --> 00:55:45,643
Jeff Jarrett.
956
00:55:46,337 --> 00:55:47,010
What?
957
00:55:47,010 --> 00:55:48,867
Double J Jeff Jarrett?
958
00:55:49,353 --> 00:55:50,199
You're kidding.
959
00:55:50,199 --> 00:55:53,123
posted a picture and he was like, yeah, Taylor Swift used to be our babysitter.
960
00:55:53,123 --> 00:55:57,100
And there's the picture of her teaching the kids music while he's just there in the
background.
961
00:55:57,100 --> 00:55:58,131
Just like, ain't I great?
962
00:55:58,131 --> 00:56:00,681
No, I'm just like, this is so cool.
963
00:56:00,681 --> 00:56:04,246
And then did he like take the guitar and smash it, El Cabong him, you know?
964
00:56:04,427 --> 00:56:05,430
That's all he could teach him.
965
00:56:05,430 --> 00:56:09,893
that's how he like, as, as time went on, he tried to do it and she's like, not today.
966
00:56:09,893 --> 00:56:12,174
And that's how he, that's how she started.
967
00:56:14,916 --> 00:56:15,336
Yeah.
968
00:56:15,336 --> 00:56:16,507
It's so cool to see that.
969
00:56:16,507 --> 00:56:19,628
And like, you know, it's, it's just so interesting to me.
970
00:56:19,628 --> 00:56:24,582
There's always so much music and wrestling intersects in the world and you'll find it.
971
00:56:24,582 --> 00:56:25,362
You'll see it.
972
00:56:25,362 --> 00:56:30,454
Even hardcore music now is getting into wrestling and it's been there for a while, but
like, there's so much to it.
973
00:56:30,454 --> 00:56:30,999
Yup.
974
00:56:30,999 --> 00:56:34,332
question I'm gonna ask you before you leave and I ask all the guests before they leave.
975
00:56:34,332 --> 00:56:42,481
If you had to think of three songs to put on a Spotify or Apple playlist that represent
Ben Eller, what are those three songs?
976
00:56:42,481 --> 00:56:43,174
my God.
977
00:56:43,174 --> 00:56:44,586
Okay.
978
00:56:45,488 --> 00:56:48,162
Me as a player or me as a person.
979
00:56:48,213 --> 00:56:50,749
You can do a list for both if you'd like.
980
00:56:50,749 --> 00:56:55,780
I mean, they're kind of intertwined really, you know, those two things are definitely
intertwined.
981
00:56:55,780 --> 00:56:56,881
Let's see.
982
00:56:57,259 --> 00:57:03,584
I don't think that I would be playing music if not for Dookie by Green Day.
983
00:57:03,624 --> 00:57:14,787
Like that's honestly kind of my secret origin story is, you know, I heard Green Day
whenever my brother got that CD from the pawn shop and I'd grown up listening to Van Halen
984
00:57:14,787 --> 00:57:17,974
and ZZ Top and all this, you know, really hot stuff on guitar.
985
00:57:17,974 --> 00:57:21,145
before I even picked up the instrument and it was like, I could never do that.
986
00:57:21,145 --> 00:57:22,225
I could never play like that.
987
00:57:22,225 --> 00:57:22,705
You know what I mean?
988
00:57:22,705 --> 00:57:30,187
I kind of gave up before I even started, but I heard Green Day and I was like, this sounds
like something I could do.
989
00:57:30,187 --> 00:57:32,208
I bet I could do this, you know?
990
00:57:32,208 --> 00:57:38,279
Again, there's that representation thing, you know, there's somebody who's not a guitar
god and they're out here rocking and playing songs all over the world.
991
00:57:38,279 --> 00:57:39,510
Maybe that could be me next.
992
00:57:39,510 --> 00:57:43,851
So I maybe have like, like Welcome to Paradise off of Dookie.
993
00:57:43,851 --> 00:57:45,741
It's probably one I would have on there.
994
00:57:46,031 --> 00:57:51,071
I would probably have, I'd have to have, I'm the one by Van Halen.
995
00:57:51,071 --> 00:57:54,551
mean, Van Halen has always been at the, at the cornerstone of my being.
996
00:57:54,551 --> 00:58:02,331
It's like literally my oldest memories I have as a human being are listening to Van Halen
one, like earliest memories period.
997
00:58:02,331 --> 00:58:07,591
It's that needle dropping on my parents vinyl of Van Halen one and hearing eruption.
998
00:58:07,591 --> 00:58:09,971
And you really got me in songs like that.
999
00:58:09,971 --> 00:58:14,431
I'm the one has always just been like that's the most bad ass guitar song of all time.
Speaker:
00:58:15,152 --> 00:58:18,287
and I would have to have some Steve Vai on there wouldn't I?
Speaker:
00:58:18,287 --> 00:58:28,805
I'd have to you know because again that's the guy that really cemented like I have to do
this the rest of my life you know Green Day was kind of the spark and Steve Vai was the
Speaker:
00:58:28,805 --> 00:58:39,512
the stick of dynamite you know that really just blew me up so maybe something off of
Passion and Warfare because that's the album that changed my life for sure I don't want to
Speaker:
00:58:39,512 --> 00:58:42,066
say For the Love of God because I'm not really a balladsman
Speaker:
00:58:42,066 --> 00:58:44,647
although that's obviously a very important piece of music.
Speaker:
00:58:44,647 --> 00:58:48,569
Maybe something like, probably like Erotic Nightmares.
Speaker:
00:58:48,569 --> 00:58:55,339
Yeah, that was a song that I remember hearing on that and it starts off with all the kind
of typical guitar virtuoso stuff.
Speaker:
00:58:55,339 --> 00:59:01,034
It's got a sick riff, it's got whammy bar stuff and all kinds of cool rock-isms in there.
Speaker:
00:59:01,034 --> 00:59:03,845
And then it gets to the dream sequence part of the song.
Speaker:
00:59:03,845 --> 00:59:05,236
You know the tune, don't you?
Speaker:
00:59:05,646 --> 00:59:10,458
It gets to the dream sequence part of the song and it's just really abstract and weird.
Speaker:
00:59:10,750 --> 00:59:14,822
I don't know it opened my eyes to what you can do with instrumental music.
Speaker:
00:59:14,822 --> 00:59:16,486
So I'd probably have to have that on there.
Speaker:
00:59:16,486 --> 00:59:19,403
Yeah Green Day Van Halen and Steve Vai.
Speaker:
00:59:19,764 --> 00:59:21,044
That's a great list.
Speaker:
00:59:21,044 --> 00:59:25,584
And because you brought up Steve Vai, I think Steve Vai would be on mine too.
Speaker:
00:59:25,584 --> 00:59:29,844
Because to me, Steve Vai is always just like my favorite guitarist of all time.
Speaker:
00:59:30,704 --> 00:59:33,464
yeah, everyone can come after him and before him.
Speaker:
00:59:33,464 --> 00:59:41,644
But for me, it's like when you think about a composer, you think about a complete package,
you think about somebody who's just overly unique and everything is musical, it's him.
Speaker:
00:59:41,644 --> 00:59:48,084
And for me, I remember when I had first heard about Steve Vai years, and obviously when I
was a kid, was like, all right, cool.
Speaker:
00:59:48,456 --> 00:59:49,887
You know, when I looked at him, I'm all right, whatever.
Speaker:
00:59:49,887 --> 00:59:50,887
weird thing to say.
Speaker:
00:59:50,887 --> 00:59:55,918
But then I remember hearing building the church and building the church was life changing.
Speaker:
00:59:55,918 --> 00:59:59,259
Cause like, I had learned about tapping, but I was like, I'm never going to be able to do
that.
Speaker:
00:59:59,259 --> 01:00:03,190
I'm just a rhythm player, you know, cause that's the kind of silly things we think about
when we're young.
Speaker:
01:00:03,190 --> 01:00:06,111
And then all of sudden they hear that and I'm like, what is this?
Speaker:
01:00:06,111 --> 01:00:08,132
Like, just this is cool.
Speaker:
01:00:08,132 --> 01:00:10,653
And then I saw him doing it with his hand over the neck doing this.
Speaker:
01:00:10,653 --> 01:00:13,173
And I'm like, what are we doing?
Speaker:
01:00:14,434 --> 01:00:15,455
It's crazy.
Speaker:
01:00:15,455 --> 01:00:17,458
And then the riffs in that song and the soul.
Speaker:
01:00:17,458 --> 01:00:20,541
That's that's one of his most well composed songs, in my opinion.
Speaker:
01:00:20,541 --> 01:00:23,054
Just the flow of that tune is so beautiful.
Speaker:
01:00:23,426 --> 01:00:30,735
Yeah, yeah, that that record I think is to me, I know a lot of people go with Flexibles
and they go with all that for me.
Speaker:
01:00:30,735 --> 01:00:33,147
I still fit my favorite Steve Vai record of all time.
Speaker:
01:00:33,147 --> 01:00:38,944
And it might just be because that's the one that got me really into it is real illusions,
reflections.
Speaker:
01:00:38,944 --> 01:00:42,369
You know, the second one is cool, but the first one is like, yeah, that's for me.
Speaker:
01:00:42,369 --> 01:00:43,083
it's cool.
Speaker:
01:00:43,083 --> 01:00:43,584
man.
Speaker:
01:00:43,584 --> 01:00:46,145
have a same kind of similar soft spot for the ultra zone.
Speaker:
01:00:46,145 --> 01:00:48,706
Cause that came out like I'll put it to you this way.
Speaker:
01:00:48,706 --> 01:00:50,847
You know, I I've gotten passion warfare.
Speaker:
01:00:51,167 --> 01:00:57,863
Whenever the ultra zone came out, that was the first new Steve vie album to come out after
I started playing guitar.
Speaker:
01:00:57,863 --> 01:00:58,610
Does that make sense?
Speaker:
01:00:58,610 --> 01:01:00,170
Does that say that right?
Speaker:
01:01:00,251 --> 01:01:03,112
So it was the first new vie album that came out.
Speaker:
01:01:03,112 --> 01:01:06,723
So I got that and songs on there like he has ultra zone.
Speaker:
01:01:06,723 --> 01:01:09,028
Ooh, he's one of my absolute favorites.
Speaker:
01:01:09,028 --> 01:01:10,178
fever dream.
Speaker:
01:01:10,178 --> 01:01:11,119
my God.
Speaker:
01:01:11,119 --> 01:01:15,200
Easily in my top three Steve Bison's fever dream is the best.
Speaker:
01:01:15,240 --> 01:01:23,423
I have a real soft spot for that record, even though it does have some really cheesy
sounds like Disney ballads with vocals on it that I, I skip.
Speaker:
01:01:23,423 --> 01:01:24,013
Sorry, Steve.
Speaker:
01:01:24,013 --> 01:01:29,145
I skipped those, but the instrumentals on it are so freaking good, man.
Speaker:
01:01:30,005 --> 01:01:31,015
What else is on your play?
Speaker:
01:01:31,015 --> 01:01:33,216
You got me thinking what else is on your playlist?
Speaker:
01:01:33,226 --> 01:01:35,678
Yeah, so I'll put building the church on there for sure.
Speaker:
01:01:35,678 --> 01:01:38,410
And I promise I'm not stealing a lot of yours.
Speaker:
01:01:38,410 --> 01:01:41,512
It's just, I think we grew up fairly simpatico on here.
Speaker:
01:01:41,793 --> 01:01:43,134
Exactly, yes.
Speaker:
01:01:43,134 --> 01:01:50,481
And so Van Halen for me, I didn't get into them until I was much older, but the way I'd
gotten into Ozzy was off.
Speaker:
01:01:50,481 --> 01:01:52,723
We went into the Walgreens one day and my dad had got me.
Speaker:
01:01:52,723 --> 01:01:53,864
It was like, can I get this record?
Speaker:
01:01:53,864 --> 01:01:55,325
It was the greatest hits of Ozzy.
Speaker:
01:01:55,325 --> 01:01:56,426
And he was like, yeah, totally.
Speaker:
01:01:56,426 --> 01:01:57,975
So I got that and...
Speaker:
01:01:57,975 --> 01:01:58,875
You know, I heard crazy trade.
Speaker:
01:01:58,875 --> 01:02:00,217
I'm like, all right, I kind of knew Tracy train.
Speaker:
01:02:00,217 --> 01:02:00,658
Great.
Speaker:
01:02:00,658 --> 01:02:01,999
I heard bark at the moon.
Speaker:
01:02:01,999 --> 01:02:03,961
I was like, what is this?
Speaker:
01:02:03,961 --> 01:02:05,703
Like to me?
Speaker:
01:02:05,703 --> 01:02:06,192
Yeah.
Speaker:
01:02:06,192 --> 01:02:07,896
And I heresy be damned.
Speaker:
01:02:07,896 --> 01:02:08,186
Right.
Speaker:
01:02:08,186 --> 01:02:15,224
But for me, I will always say that bark of the moon is probably my favorite Ozzy song of
all time.
Speaker:
01:02:15,224 --> 01:02:17,176
It's like, it's so different.
Speaker:
01:02:17,176 --> 01:02:17,756
I'm sorry.
Speaker:
01:02:17,756 --> 01:02:19,137
It's not Randy.
Speaker:
01:02:19,799 --> 01:02:20,759
Yeah.
Speaker:
01:02:21,229 --> 01:02:22,249
is not Randy Rhoades.
Speaker:
01:02:22,249 --> 01:02:25,603
Randy Rhoades is phenomenal, but like they're so, the song is great.
Speaker:
01:02:25,603 --> 01:02:27,185
There's so much cool stuff in there.
Speaker:
01:02:27,185 --> 01:02:32,399
And like you think about the way that he played that it was unbelievable.
Speaker:
01:02:32,399 --> 01:02:42,259
And then in terms of a third one, okay, in terms of a third one, I'm going to go a little
bit out of left field because I, I wouldn't be me if I didn't.
Speaker:
01:02:42,259 --> 01:02:44,241
It's a band called a Wilhelm scream.
Speaker:
01:02:44,241 --> 01:02:46,413
And when I was in college, it's
Speaker:
01:02:47,329 --> 01:02:50,352
Yeah, they're still to this day, one of my favorite bands.
Speaker:
01:02:50,352 --> 01:02:55,636
And up into college, I was very much, you know, just guitar driven music and, you know,
things like that.
Speaker:
01:02:55,636 --> 01:03:04,034
But when I got into college, a buddy of mine, Seth, was very much into like this, what we
call like melodic hardcore style, you know, and like that heart sounds, kinds of bands.
Speaker:
01:03:04,034 --> 01:03:09,208
And I feel like if you put a guitar in my hands, that's the style I play with instrumental
vibes to it.
Speaker:
01:03:09,208 --> 01:03:09,560
Right.
Speaker:
01:03:09,560 --> 01:03:14,058
And I remember hearing this song by them called the horse and I was like,
Speaker:
01:03:14,058 --> 01:03:17,060
This song is crazy and it's got like the super tapping bass solo.
Speaker:
01:03:17,060 --> 01:03:18,971
The guitars are doing really cool stuff.
Speaker:
01:03:18,971 --> 01:03:20,912
It's like technical punk.
Speaker:
01:03:20,912 --> 01:03:24,074
It's like punk in different time signatures and things like that.
Speaker:
01:03:24,074 --> 01:03:30,358
And it's the records that they've put out like mute print and things like that are some of
my favorites, but that song changed for me.
Speaker:
01:03:30,358 --> 01:03:36,701
Like it was right before I heard probably like the same week actually that I heard protest
the hero.
Speaker:
01:03:36,701 --> 01:03:41,300
And so those two will always be like my one a and one B for like.
Speaker:
01:03:41,300 --> 01:03:41,980
that style.
Speaker:
01:03:41,980 --> 01:03:49,760
Protested Heroes is a lot more dramatic and a lot more like crazy, but if you listen to
like, uh, Kazaya and that kind of record, for me, it's like, okay, cool.
Speaker:
01:03:49,760 --> 01:03:53,560
Like it's either the horse from that or Blindfold Decide by Protest.
Speaker:
01:03:53,560 --> 01:03:55,800
And I'm like, yeah.
Speaker:
01:03:56,300 --> 01:04:00,660
So it's a lot of different things.
Speaker:
01:04:01,400 --> 01:04:01,640
Yeah.
Speaker:
01:04:01,640 --> 01:04:02,860
Uh-oh.
Speaker:
01:04:02,860 --> 01:04:03,536
Uh-oh.
Speaker:
01:04:03,536 --> 01:04:07,556
this just before we got on the air and it came to me again, it came to me so fast.
Speaker:
01:04:07,556 --> 01:04:08,276
was like, that's it.
Speaker:
01:04:08,276 --> 01:04:09,456
That's the answer.
Speaker:
01:04:09,676 --> 01:04:10,896
All right.
Speaker:
01:04:10,896 --> 01:04:19,956
If you were a hardcore Razzler, what is your finishing move and what is your, you know,
like trademark catchphrase?
Speaker:
01:04:19,956 --> 01:04:22,376
I'll give you a sec to think about it while I'll tell you about mine.
Speaker:
01:04:22,376 --> 01:04:22,889
So
Speaker:
01:04:22,889 --> 01:04:28,143
I was thinking about this and if I stepped into the squared circle and it's it's not a
character.
Speaker:
01:04:28,143 --> 01:04:28,674
It's Uncle Ben.
Speaker:
01:04:28,674 --> 01:04:30,044
It's just me right?
Speaker:
01:04:30,565 --> 01:04:35,738
I think my finisher is going to be some kind of like hard ass brutal submission move.
Speaker:
01:04:35,738 --> 01:04:37,790
Probably something old school like a Boston crab.
Speaker:
01:04:37,790 --> 01:04:40,371
Also that move sucks if you've ever been put in a Boston crab.
Speaker:
01:04:40,371 --> 01:04:41,142
It's awful.
Speaker:
01:04:41,142 --> 01:04:41,988
It's terrible.
Speaker:
01:04:41,988 --> 01:04:47,069
everyone would put you in it, especially if you had like brothers and sisters or cousins,
they'd all put you in it.
Speaker:
01:04:47,069 --> 01:04:47,570
man.
Speaker:
01:04:47,570 --> 01:04:50,852
I got crabbed on the trampoline very many times in my youth.
Speaker:
01:04:50,852 --> 01:04:52,033
Crabbed on the...
Speaker:
01:04:52,914 --> 01:04:54,976
I got crabbed on the trampoline.
Speaker:
01:04:54,976 --> 01:04:56,707
That's totally merch, dude.
Speaker:
01:04:56,707 --> 01:04:57,878
That rules.
Speaker:
01:04:57,878 --> 01:05:02,922
That might be the name of my solo album that I'm working on this year.
Speaker:
01:05:02,922 --> 01:05:04,084
Crabbed on the trampoline.
Speaker:
01:05:04,084 --> 01:05:06,045
So I think it's going to be a submission move.
Speaker:
01:05:06,045 --> 01:05:13,361
And like, as the person I'm laying this on is like struggling and writhing around in pain,
I'm giving them my catchphrase.
Speaker:
01:05:13,499 --> 01:05:14,644
Say uncle!
Speaker:
01:05:14,644 --> 01:05:15,437
Say uncle!
Speaker:
01:05:15,437 --> 01:05:17,634
It's good!
Speaker:
01:05:17,797 --> 01:05:18,745
It's good!
Speaker:
01:05:18,745 --> 01:05:25,029
I love how it's all on brand too and I can imagine you looking deep down the camera going
I'm gonna make you say uncle
Speaker:
01:05:25,029 --> 01:05:27,409
it.
Speaker:
01:05:27,409 --> 01:05:28,849
Oh my god
Speaker:
01:05:29,007 --> 01:05:29,718
I love that.
Speaker:
01:05:29,718 --> 01:05:31,210
So now what would mine be?
Speaker:
01:05:31,210 --> 01:05:38,464
I've thought about like overtime and this and that and like, you know, I think like we all
do, we put like our own characters and our own storylines and like, if I was this, what
Speaker:
01:05:38,464 --> 01:05:39,195
would it be?
Speaker:
01:05:39,195 --> 01:05:46,008
For me, my finisher would be like the way that Cactus Jack used to do the pile driver
called the Cactus Special.
Speaker:
01:05:46,008 --> 01:05:51,052
Tony Storm kind of does it the way now he did called the, she calls it the Storm Zero.
Speaker:
01:05:51,052 --> 01:05:55,935
And it's basically like, well, so that was what he did later on, but when he used
Speaker:
01:05:55,935 --> 01:06:00,479
When as cactus Jack, he used to not get the person like vertical like this and then put
him down.
Speaker:
01:06:00,479 --> 01:06:03,201
He used to just like drag them down.
Speaker:
01:06:03,201 --> 01:06:07,334
And to me, I was like, there's been three people I've seen do it really well.
Speaker:
01:06:07,334 --> 01:06:10,166
Cactus Jack, Sammy Callahan and Tony storm.
Speaker:
01:06:10,166 --> 01:06:12,908
And I'm like, that looks like it sucks.
Speaker:
01:06:13,969 --> 01:06:17,892
That one would have to be, would have to be mine.
Speaker:
01:06:18,414 --> 01:06:20,296
man, catchphrases.
Speaker:
01:06:20,296 --> 01:06:24,749
I'm never good with catchphrases, even for like the show, even for anything.
Speaker:
01:06:24,998 --> 01:06:26,628
I'm never good with them.
Speaker:
01:06:26,809 --> 01:06:31,132
and I feel like it'd be like, I feel like I'm going to say something cheesy, like lights
out right now.
Speaker:
01:06:31,132 --> 01:06:39,216
And then all of a sudden, like it's simple, but then I feel like I'm going to get off the,
the interview here and I'm to be like, this would have been so much better.
Speaker:
01:06:39,230 --> 01:06:41,307
So we'll say lights out for now.
Speaker:
01:06:41,307 --> 01:06:43,938
Cause that's also good if you're doing a pile driver.
Speaker:
01:06:44,230 --> 01:06:44,778
So.
Speaker:
01:06:44,778 --> 01:06:46,471
that's going to put them out for sure.
Speaker:
01:06:47,548 --> 01:06:48,654
I dig it.
Speaker:
01:06:49,108 --> 01:06:50,984
That's good question.
Speaker:
01:06:50,984 --> 01:06:51,724
my gosh.
Speaker:
01:06:51,724 --> 01:06:52,484
You can use that.
Speaker:
01:06:52,484 --> 01:06:54,429
I just get a percentage, you know?
Speaker:
01:06:54,723 --> 01:06:55,604
The Ben tax.
Speaker:
01:06:55,604 --> 01:07:00,904
uh Well, Ben, as always, it's always awesome talking to you.
Speaker:
01:07:00,904 --> 01:07:05,953
I'm glad we finally got to get the time to chat here, hit the record button, and do our
thing.
Speaker:
01:07:05,953 --> 01:07:07,178
So thank you so much.
Speaker:
01:07:07,178 --> 01:07:08,727
man, it's been a lot.
Speaker:
01:07:08,727 --> 01:07:14,578
I remember you were hitting me up earlier in the year, before the Macedon thing was coming
and it's like, could we wait a little while?
Speaker:
01:07:14,578 --> 01:07:16,881
I kind of got a lot on my plate I can't talk about.
Speaker:
01:07:16,881 --> 01:07:18,844
But just give me a week and you'll see what it is.
Speaker:
01:07:18,844 --> 01:07:27,534
I forget who I had said that I thought it was, like, knowing it's Mastodon, it's so just,
again, you deserve it, you know, and it's just so cool, man.
Speaker:
01:07:27,534 --> 01:07:28,715
appreciate that very much.
Speaker:
01:07:28,715 --> 01:07:36,881
had a lot of people because I had to keep tight lipped about it there for that short
period of time and I had a lot of people that were sending me guesses and a lot of people
Speaker:
01:07:36,881 --> 01:07:39,192
are like, dude, you're going on the road to ghost, aren't you?
Speaker:
01:07:39,192 --> 01:07:41,343
You're going to be an aimless ghoul, aren't you?
Speaker:
01:07:41,704 --> 01:07:42,884
Yeah.
Speaker:
01:07:43,505 --> 01:07:46,206
And I'm like, how do you know I already haven't?
Speaker:
01:07:46,739 --> 01:07:47,779
That's fair.
Speaker:
01:07:47,779 --> 01:07:48,619
That's fair.
Speaker:
01:07:48,619 --> 01:07:50,940
With Ghost you could get away with it, right?
Speaker:
01:07:53,361 --> 01:08:01,274
That's like when CM Punk didn't wrestle for a while and then he afterwards he went into
AEW but people still suspect that he was on the indies under a mask every now and again
Speaker:
01:08:01,274 --> 01:08:06,106
because there was a video of him from like a VFW where he was like where there were like
30 people there.
Speaker:
01:08:06,106 --> 01:08:10,090
There was just a guy in a mask and you know just randomly someone was recording.
Speaker:
01:08:10,090 --> 01:08:14,241
just this guy runs up hits a GTS a go to sleep and everyone's just like
Speaker:
01:08:14,241 --> 01:08:17,226
Hmm, doing the math here.
Speaker:
01:08:17,272 --> 01:08:18,914
yeah, it's not just it's a GTS.
Speaker:
01:08:18,914 --> 01:08:21,438
It's like, kind of looks like the way you'd it, dog.
Speaker:
01:08:21,575 --> 01:08:22,427
That's funny.
Speaker:
01:08:22,427 --> 01:08:23,138
That's awesome.
Speaker:
01:08:23,138 --> 01:08:24,810
I appreciate the patients very much, man.
Speaker:
01:08:24,810 --> 01:08:26,713
I know we've been trying to do this for a while.
Speaker:
01:08:27,312 --> 01:08:27,926
man, of course.
Speaker:
01:08:27,926 --> 01:08:28,873
Thank you, my friend.
Speaker:
01:08:28,873 --> 01:08:29,869
Always good talking to you.
Speaker:
01:08:29,869 --> 01:08:32,046
new music of your own coming for soon?
Speaker:
01:08:32,156 --> 01:08:32,697
You'll hear it.
Speaker:
01:08:32,697 --> 01:08:33,097
Yup.
Speaker:
01:08:33,097 --> 01:08:34,950
Trying to do a couple things with it.
Speaker:
01:08:34,950 --> 01:08:36,653
So I don't usually do a lot of videos.
Speaker:
01:08:36,653 --> 01:08:38,586
I'm trying to do more videos before releases.
Speaker:
01:08:38,586 --> 01:08:42,691
I'll tell you about something I'm working on off air too, because that's kind of cool.
Speaker:
01:08:42,691 --> 01:08:46,054
So, absolutely.