Mega Ran on Shelton Benjamin's AEW Theme, New Day Usos Rap Battle , Meeting Okada at WWE Raw
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Joining us today is none other than Mega Ran! Mega Ran is a multifaceted artist known for his work in music, wrestling themes, and education. John Kiernan and Mega Ran discuss his journey, his collaborations with wrestlers such as how MVP tapped him to rap on Shelton Benjamin's AEW theme, and how he navigates his diverse passions.
The conversation highlights the importance of authenticity in creative work, the impact of music on wrestling, and the significance of community in the creative process.
Mega Ran shares insights into his experiences working with notable figures in wrestling and music, including his contributions to AEW and his memorable moments during the Uso's and New Day rap battle, meeting Okada backstage at WWE RAW, and merging all of his amazing musical passions into what you know and love as the one and only Mega Ran.
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About The Show:
Do you like wrestling? Do you like music and stories from the road? Join John Kiernan, wrestling entrance theme song composer, and professional musician of over 10 years for stories and interviews with your favorite wrestlers, rock stars, and personalities!
About the Host:
John Kiernan is a wrestling entrance theme song composer with over 150 themes written for wrestlers in various promotions such as NJPW, WWE, ROH, MLW, and many more. As a professional musician, a veteran in the podcasting space, an avid pro wrestling fan and wrestling personality by way of creating the soundtracks for your favorite wrestlers, John Kiernan forges his latest podcasting venture into diving into stories of music, stories from the road, and wrestling from all walks of life from your (and his) favorites of all time.
#music #wrestling #ropesnriffs #johnkiernan #megaran #sheltonbenjamin
Welcome to the Ropes and Riffs podcast.
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And today with me, I don't even know how to introduce you because you're all over the
place doing things.
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I say, Hey, you did the Hurt Syndicate song and then you've got this record and you do so
much.
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So for those who are familiar with you and those who are going to get even more familiar
with you, please welcome my guest today, Mega Ran.
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How's it going, my dude?
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Hey, what's up?
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I'm doing great, man.
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How are you?
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I'm doing all right.
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And it is so apropos that you're wearing the Hurt Syndicate shirt because first off, the
Hurt Syndicate is amazing.
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And I think everybody who's listening and watching this would agree with that.
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They've been doing some banger work on there.
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And obviously you have been the voice on Shelton Benjamin's version of the Hurt business.
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I guess we'll say suite of pieces there in AEW.
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Yes, yes.
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Yeah, the shirt just came in.
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I think I just got it yesterday.
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So it was right on time for the podcast.
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But but yeah, the Shelton song was kind of how it all started for me.
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And I got to thank MVP for that.
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He's been a he's been a friend for a while.
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And even back like probably before he got back in the WWE, you know, I remember him being
on the Indies and just running into him a lot.
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And and we have a very similar palette of music taste.
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And I remember just talking to him about just anime and video games and music and just
like having a whole lot in common on that side of things.
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And so, yeah, that kind of led to where most of my relationships with wrestlers are.
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It's usually the thing outside of wrestling that keeps us like friendly, you know, it's
like being able to talk.
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I would imagine you don't want to talk about work a bunch when you.
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when you're engulfed in it.
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So I guess being able to talk to somebody about all the other things you like are
enjoyable.
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So all of my wrestling buddies love video games, anime, or you know, or we have music
tastes in common.
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We see that all the time.
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We see now all these other influences also influencing what's happening in wrestling too.
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And like you said, when you can connect with somebody, not just on, you know, the work
that they're doing, but also the things that inspire them and influence them.
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That's awesome.
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And MVP has always come off to us, at least to me, MVP has always come off as somebody
that has all these different influences and is somebody who, like you said, if you're
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showing him the respect, he'll show the respect back to you.
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But as we've seen with the media scrum with AEW, you you gotta ask the right questions
too.
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you know, and you know, I got like weird mixed feelings about these scrums nowadays
because like how much of it is is real and how much of it is in character, you know what I
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mean?
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Like I think you got to come into it realizing that people, you know, are using this
opportunity to build and continue their character as well, you know, do character work.
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So this isn't really the time where they're going to maybe let their guard down and give
you the most, you know, sincere answer.
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Because a lot of these guys are they're fresh out of the whatever event.
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They just had the adrenaline still flowing and You know, they're very much in character
So, you know, I hope people don't get too, know upset or hurt when they when they get shut
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down at these scrums because like They're not real like you know to be like they can't be
so I just you know I take it with a little bit of green of salt.
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Like I definitely am highly entertained.
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I got to sit in on one at at all in
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this past year in London and I didn't even ask a question.
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I had some good questions, but the people who asked questions, I was like, come on, I had
something better than that.
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Like, come on.
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And sometimes one question, one kind of bad question can just set the mood and that person
just can immediately start shutting down, batting down questions.
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So yeah, it's a very interesting place to be for sure.
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But I enjoy it.
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It's very entertaining for sure.
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yeah, and I felt like when I did the media scrum for Full Gear recently, you know, I was
listening to a lot of the other people in the media ask questions and you know with our
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show here with Ropes and Rifts, we talk about music, we talk about wrestling, and we talk
about wrestling entrance themes, right?
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So for me sitting there, I wanted to ask a question, but I know for me being the first
time in a media scrum, I'm like, what kind of questions should I ask that doesn't come off
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as weird?
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And you know, I was like, you know what, just be confident.
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Ask a question that relates to something.
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And the question I had asked a private party was who should play you to the ring in 2025,
if you get that opportunity and how their faces lit up with their answers.
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It was just like, for me, it was a revitalizing thing to be like, okay, cool.
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You can ask these questions and really get in a different place with those questions too.
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So I was happy that I was able to kind of put that question out there, but it wasn't like
a, Hey,
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Who are you gonna wrestle next?
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Or would you like to wrestle Taylor Swift?
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We remember that one, ladies and gentlemen.
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We remember that one.
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Pepperidge Farm remembers.
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So you've done a lot of different things in the music industry.
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One of the things I love about you is how not only is the music that you write amazing,
and anyone that has heard Mega Ran knows that.
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Anyone that hasn't will pause this, go listen to it, come back.
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Welcome back, ladies and gentlemen.
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but you do so many different things.
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You do things in wrestling, you do things completely outside of that.
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I believe that you also do a lot in education as well.
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So you have this wide gamut of different things that you do within music.
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And we're gonna talk about the wrestling stuff in a second, but for you, what is the, for
you, how do you navigate going between all these different things in music?
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Well, it's not too difficult because I love them all equally.
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You know, so I'm just as passionate about education and children as I am about pro
wrestling and video games.
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So So when these opportunities come there, it's an easy It's an easy transition for me to
be like, yeah I'm like like this is just part of the brain and work on this thing and I
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feel like I used to think like maybe wrestling is off-brand for what I'm doing in the kids
music space or maybe You know comic books or things that are maybe teen oriented or a
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little off-brand for this but
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I've been able to make it all work and I think there's no profanity in my music.
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I feel like the vibe is always positivity.
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And so it always kind of works.
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You know what I mean?
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I just did a song for Mortal Kombat and then turned around and made a children's album.
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So I was like, well, how is this gonna work?
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But I'm somehow able to make it work.
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think that just having a little piece of me shine through in each one of these projects
is...
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It's something that people come to me for.
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So I don't take it lightly and I make sure that I give my all to that thing, but also make
sure it's it's me, you know, so I'm not going outside of myself or what I would do or what
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I would say when I'm making these things.
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But yeah, it's it's it used to be a lot more difficult, but now I realize, you know, not
overthinking it is kind of the key and just, you know, just falling in love with the
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process and just really loving that the art of just starting with nothing.
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and then just working my way into something cool, you know.
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I love that because like you said, there's so much in music that you can do and you can go
from working on Mortal Kombat, working in wrestling, working in video games, and then
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doing a kid's record too.
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And you know, with my wife and I, we run a music school here in New Jersey also.
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And so for us, music education is huge.
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work, you know, same with you, you work with people of different ages, you work with
children, and it's kind of funny sometimes to bridge that little gap there.
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where it's like, okay, cool.
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You're the person sometimes that they see to take their guitar lesson or their drum lesson
or for you again, they're coming across the music that you've written for kids.
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And then all of a sudden it's like, hey, if you like this, check this out.
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it's so, it's such a different dynamic for us with like the parents coming in and they're
like, you do that thing too.
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It's pretty cool.
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So I love the fact that you're able to bridge all of that too.
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And you're like, man, at the end of the day, it's music.
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And like you said, it's what inspires you.
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It's what gets you going.
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The fact that you love it so much translates to everybody else too, I'm sure.
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100 % I've heard people say that like man I don't even like wrestling but your passion for
it is what makes me now I want to start watching you know same with like my passion for
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video games or anything else you know it's it comes through in the music and when it does
that there are people that will be like well he's so excited about it then I better see
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what the fuss is all about you know like I've been able to convert a lot of my fans to
wrestling fans 100 %
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That's awesome.
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So let's talk a little bit too.
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Let's dive a little bit into the wrestling side here too, because you've worked with first
off the way that I had also come to hear about your work was through wrestling with
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Wregret.
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Cause I'm a fan of that channel.
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Shout out to Brian Zane.
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Brian is the man and he's been the man for almost a decade now.
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So good on you, my friend.
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And you know, the theme that he had before was good.
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And then all of a sudden comes in this awesome mega ran.
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which is completely different from all that.
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And I thought it fit then, I think it fits now.
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I love the music.
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Tell us a little bit about how you got started with Brian Zane.
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man, I think it was during pandemic.
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mean, I just, you know, of course we all just started binging content nonstop.
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And I think I just went through the beginning of wrestling with regret and just worked my
way all the way up during pandemic.
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And I was just like, this show is so great.
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And so I was doing a variety show where I would bring on people guests to just chat.
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And I had him come on.
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We had a we would have a musical guest and then like a wrestling adjacent guest and just
have fun with this show.
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And he came on and talked and we had a really great talk.
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And then afterwards, he's like, hey, I've never had you on the channel, but would you be
interested in working on something?
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I'm around the 10th anniversary.
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And maybe it was like the eighth anniversary or something like that.
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And and he's like.
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I just got these tapes of the UWF, the Urban Wrestling Federation.
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Are you familiar with this?
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This is, this is...
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Amazing.
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It's like Def Jam Vendetta meets like real wrestling.
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It's insane.
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So he's like Can you watch this and just like give me some thoughts on it and I'm like
Yeah So I watch it and I'm like what the heck but it's so crazy.
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So Wow like some of our favorite people of today just show up randomly on it and Eddie
Kingston's just randomly there like all kind of stuff and so
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this was so entertaining and he's like, well, would you like to do a little bit of like
commentary on it for the channel?
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And I'm like, yeah.
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And so I did it and the episode came out really cool.
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And he's like, all right, well, how about a bonus at the end of that episode, you do a new
version of my theme since it's like an anniversary.
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And I was like, okay.
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I started writing some things.
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I like, what do want me to say?
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You know, and he's like, well some of my classic characters and people I use, know, and
I'm like, okay good and I just benched the entire show So I'm like perfect.
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All right, we got to talk about old man Tronson different characters and and so I wrote
that
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And first, I couldn't think of a beat necessarily to work on.
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So I had it kind of in my head, but all to no music.
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And I'm walking around, I'm just thinking, wrestling with, forget, let's get it.
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And I'm just humming these things and I'm like, wait, I think I got it.
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And then I sit down.
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We work on this track and the track has this great horn section that goes.
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And I was like, yes, that's it.
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I sleep with regret.
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Let's get it.
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So finish the song.
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was super excited about it.
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And he's like, my God, this is it.
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This is so great.
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Can I use this right now?
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And I'm like, yes.
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He's like, can I use this for all the episodes?
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And I'm like, yeah, man.
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Like, absolutely.
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So, yeah, that's kind of how it happened, man.
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But again, it's my it's it's the same story, man.
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It's like my passion.
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for the thing kind of like showing through him being like, snap, you actually know my
stuff, you know, and this sounds like it's from a by a fan, you know.
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So I think that's super important, you know, in wrestling music anyway.
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For the most part, it seems like and it's not just wrestling, but most corporate entities
when it's time for them to come up with a new jam, they usually reach out to whoever the
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biggest person of the moment is.
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They're like, man, who let's get, I don't know, dead mouse or Steve Aoki or Megan Thee
Stallion or like just it's always some humongous star who isn't necessarily a fan of the
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product, but can just give you that rub with mainstream media, you know.
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And it makes guys like me who are like legit fans feel like, man, like I think you can get
a better product if you go to the community.
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And I think A.W.
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has done such a great job with that.
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with the Who We Are compilations that I was a part of.
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So many different things where they're like, all right, well, can you write a song about,
I don't know, Scorpio Sky?
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And we're like, absolutely, you know, like telling their story, not just like, I'm gonna
beat you up, you know, just as, you know, one of those kinds of songs.
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But yeah, I think that AEW's done a great job of reaching out to the community and keeping
people who are actually interested in the product.
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Involved in the creation of you know some of the elements and assets that go around those
characters because it shows you know What it's done with love, you know, I mean it's great
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to go high get the Elton John song and you know and Metallica and I like that stuff is
super cool But I do appreciate when they go to actual fans to create, you know the content
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around Around these wrestlers like it's it's it feels different.
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It's different, you know
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Yeah, I agree.
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And you can feel the difference too.
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You know, and I agree 100 % with what you're saying about AEW.
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And even since the inception, you've seen that they've been really willing to, you know,
work with other creators, work with outside of the industry and really try to bring people
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in to create a really interesting artistic environment, you know.
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It doesn't feel as insular as maybe the last 10, 15, 20 years has.
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And, you know, for me, it was kind of my entry into working with even a bigger company to
working on the Sting EP, working on some themes for wrestlers going into AEW.
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And it's so interesting to feel like, wow, this is a promotion that's trying to really
bring the best out of their talent, but also really give back and bring in people from
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that community.
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Absolutely, and I got a shout out Mikey Rukus for for the job.
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He's done You know because it's not just you know what I mean like I think that's the sign
of a great You know mind or a great producer is just knowing when to reach out You know
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what I mean when to bring other folks in and say hey look this person really specializes
in this
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particular niche or this person can reach this type of a fan or this person speaks from
this particular perspective.
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So let me go and reach out.
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So Mikey Rukus could easily, he's the, these are the head, the final decision in the AEW
music.
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So he could easily say I'm producing everything.
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I'm writing everything.
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I'm singing on everything.
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I'm rapping on everything.
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But yet he says, you know what?
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This guy is really good at this thing.
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Let me go and hire them.
218
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This guy is great on guitar, bring him in.
219
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This guy is great here at Legs.
220
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So that's the sign of a great producer.
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I think it's just knowing when to reach out for help, when to bring in people to
accentuate the talent that's already there.
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so yeah, I'm just like a huge fan of what he does.
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And I always appreciate that he's willing to bring folks in on the inside and help for the
greater good, to make something better.
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And let's also keep in mind, it's not like he couldn't do it on his own.
225
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I mean, he has all these skills.
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He's a great guitarist.
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He's a great instrumentalist.
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He's a great composer.
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He's got, he's a great rapper.
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does all these different things.
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He's a great screamer too.
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Something very, very underutilized.
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He's an amazing screamer.
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But like you said, he's like, here's this thing I'd like to work with you on or this or
this.
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And the other thing, having worked with him also, he's a great communicator too.
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And that's something when you work with other musicians sometimes that you want to be able
to make sure is, Hey, I need this from you.
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Great.
238
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You did this.
239
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Now here's what I need.
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When we worked on the Sting EP, it was done in like that song that we did for retro sing.
241
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That thing was done in like three days.
242
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I'd send him pieces that he needed.
243
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And then he's like, okay, cool.
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This is great.
245
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Now here's what I need you to do here, here and here.
246
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And it was like the simplest thing.
247
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was like, okay, cool.
248
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Record the guitar.
249
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Here are the ways that I need it recorded.
250
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Here are the different stacks that I need.
251
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Do a solo here, we'll do it here.
252
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Listen to this measure.
253
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And it was just like, again, being able to collaborate with somebody who's a great
collaborator.
254
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The communication piece, I think, is one of Mikey's biggest strengths too.
255
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100%.
256
00:16:43,196 --> 00:16:44,666
Yeah, here we go.
257
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Yep.
258
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Yep.
259
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The Mikey Rukus love fest.
260
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Absolutely.
261
00:16:48,371 --> 00:16:51,973
So let's dive a little bit more into some of the themes that you've done.
262
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So let's start with your shirt and let's start a little bit with Shelton Benjamin.
263
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I know that you said that you had connected with MVP, but they've had a couple of
different themes that represent the Hurt syndicate, whether it's just Bobby Lashley or
264
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Shelton or the group as a whole.
265
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So you meet MVP and.
266
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then you end up with the amazing song for Shelton Benjamin.
267
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Walk us a little bit through how you had gotten connected to do that theme and kind of
what your thought was with creating a theme for Shelton.
268
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man, so yeah, like this is, let me think, MVP hits me up on like a Monday night and I
think it's right before Shelton's about to debut and he says, hey, I just heard Shelton's
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music and it sounds like something from Final Fantasy.
270
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And I was like, really?
271
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He's like, yeah, it sounds like an epic boss theme from like a Final Fantasy or like a big
role playing game.
272
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And I was like, okay, go on.
273
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And he's like, I told him this needs like an epic rap.
274
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And and and Shelton was like, well, you know, I don't know anybody who can do an epic rap.
275
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And MVP's like, well, I do, you know, and he kind of pitches me like, man, you got to hear
Mega Ran.
276
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I think he's great for this kind of thing.
277
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And and then he connects me with Shelton.
278
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And so I hit up Shelton and I'm like, hey, I need to get from you like what you want to
hear in this song.
279
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what you want this to be like, what it to feel like when you come out there, you know?
280
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And he's like, I want it to feel like I'm not playing any games and I'm here to hurt
people.
281
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And I'm like, okay.
282
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And he's like, yeah, I want like some Tekken vibes.
283
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And I was like, Tekken?
284
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Okay.
285
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and he loves Tekken and his favorite character is Heihachi and Heihachi is like the old
man you don't want to mess with so when he I was like well what does Heihachi say and he's
286
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like well Heihachi has this one line where he says I'll snap you like a twig and and I was
like that's badass and and I'm like
287
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Should I work that into the lyrics?
288
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And he's like, yeah, please, if you can.
289
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And I'm like, absolutely.
290
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So I start with that and then I'm start working on these couplets of rhymes that work with
that.
291
00:18:59,480 --> 00:19:06,844
And I've seen and it's a it's a bit of a challenging rhyme from from a rap perspective to
say snap you like a twig.
292
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So now can I do a five syllable rhyme to make that work?
293
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Yes, I can.
294
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I'm a master in this biz.
295
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I ain't chatting with these kids.
296
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I'll snap you like a twig, you know.
297
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And so that was a really fun challenge to be able to work in exactly what he wanted and
then to be able to kind of flex some creative muscle around that.
298
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So super fun.
299
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And yeah, so I just went from there like, all right, well, we're going to go super heavy,
know, braggadocious, bone breaking lyrics over this big epic theme.
300
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Man, when I was done, was like, I think he's going to like this.
301
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And then I said to him and he's like, my gosh.
302
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He's like, this is the best theme I've ever had, dude, like ever.
303
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Like and, know, we all know him for anal stopping me now, you know, and, you know, respect
to my goat, Jim Johnson, you know.
304
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And but for him to be like, no, this this song really encapsulates me better than anything
I've ever had.
305
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And I love it.
306
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And I was like, OK, excellent.
307
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You know, like I'm like, all right, we got his approval.
308
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Then we're good to go.
309
00:20:02,825 --> 00:20:06,347
You know, and it's funny because even at the beginning, I wrote a little article about it.
310
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But Mikey Rukus was like, you know what?
311
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I might be able to like really get a kick out of him if you say ain't no stopping me now
on the song.
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And.
313
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And then I talked to him about it and he was like, I don't think you need to say, Ain't No
Stoppin Me Now on the song.
314
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And I was like, OK, all right.
315
00:20:22,911 --> 00:20:24,311
Mikey Rukus thought that would be funny.
316
00:20:24,311 --> 00:20:26,541
And he was like, now I'm trying to move past that.
317
00:20:26,541 --> 00:20:26,931
It's fine.
318
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You know, and.
319
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And so I did record in the session.
320
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just kind of said it in the beginning of the song, you know, stop me now, you know, kind
of, you know, sarcastically.
321
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And I'm like, if he wants to keep that in there, he can.
322
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And then, of course, he did.
323
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He kept it in there.
324
00:20:41,770 --> 00:20:46,485
So as the track starts, it's me saying, hey, don't stop me now.
325
00:20:46,485 --> 00:20:50,622
And that was just me, just just an ad lib, you know, but I'm.
326
00:20:50,622 --> 00:20:54,177
But man, the first time I heard him come out to that song, like I got goosebumps.
327
00:20:54,177 --> 00:20:58,143
You know, I just, was like, whoa, like the entrance was amazing.
328
00:20:58,143 --> 00:21:02,880
The colors, you know, him looking like a million bucks, like MVP right there.
329
00:21:02,880 --> 00:21:04,311
And kind of with this.
330
00:21:04,384 --> 00:21:12,318
this like proud smile on his face, like as he presents Shelton, it's just like, yeah, like
you don't know what you're about to get into right now.
331
00:21:12,318 --> 00:21:14,149
You're about to see a special thing, you know?
332
00:21:14,149 --> 00:21:19,291
And just to be a part of that, it's just been amazing, absolutely amazing.
333
00:21:19,291 --> 00:21:23,174
yeah, man, shout out to both of those guys, to Mikey and to Shelton.
334
00:21:23,174 --> 00:21:25,845
And you know, it wouldn't have happened if Shelton didn't enjoy it.
335
00:21:25,845 --> 00:21:29,499
Like, so I'm just really proud that I was able to make him happy with that.
336
00:21:29,499 --> 00:21:30,099
And you know what?
337
00:21:30,099 --> 00:21:34,251
I think we've all known that Shelton Benjamin's one of the best.
338
00:21:34,251 --> 00:21:42,365
you know, you know, me as a fan, I've always wanted to see him really have just a
spotlight that no other person has shined on him.
339
00:21:42,365 --> 00:21:44,276
I'm very much a Shelton Benjamin fan.
340
00:21:44,276 --> 00:21:53,540
And, you know, his music has been good over the years, but the second he came out to the
presentation that the Hurt Syndicate has, but especially Shelton Benjamin, he's getting so
341
00:21:53,540 --> 00:21:54,370
much shine right now.
342
00:21:54,370 --> 00:21:58,262
He's getting so much of a different presentation than he's ever had, right?
343
00:21:58,262 --> 00:21:58,834
He's...
344
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beaten people definitively.
345
00:22:00,134 --> 00:22:02,595
He's got this amazing theme that you guys worked on.
346
00:22:02,595 --> 00:22:13,349
And I would argue to say that this is probably within his career, the biggest that Shelton
Benjamin has ever felt and like the biggest threat and the biggest deal that he's been in
347
00:22:13,349 --> 00:22:22,029
a wrestling company in no short part, because even before he hits the ring, you hear this
theme, you hear these lyrics, you hear this beat and it's just
348
00:22:22,029 --> 00:22:24,840
It has such a different feeling to Shelton Benjamin.
349
00:22:24,840 --> 00:22:27,561
And we're all excited that Bobby Lashley is with it.
350
00:22:27,561 --> 00:22:29,071
We're excited about the Hurt Syndicate.
351
00:22:29,071 --> 00:22:32,743
But I remember that obviously this is what the setup was for, right?
352
00:22:32,743 --> 00:22:35,544
But I remember being like, man, you know what?
353
00:22:35,544 --> 00:22:43,167
If it was just Shelton and it was just MVP and MVP was just Shelton's mouthpiece, and this
is what we got right from that initial presentation.
354
00:22:43,167 --> 00:22:43,947
I was like, you know what?
355
00:22:43,947 --> 00:22:44,868
We're here, man.
356
00:22:44,868 --> 00:22:46,007
Let's do it.
357
00:22:46,007 --> 00:22:47,030
I'd be fine with that.
358
00:22:47,030 --> 00:22:48,997
Shelton could have easily been the final boss.
359
00:22:48,997 --> 00:22:49,899
You know what I mean?
360
00:22:49,899 --> 00:22:52,105
Like, I would be okay with that.
361
00:22:52,184 --> 00:22:52,614
Yeah.
362
00:22:52,614 --> 00:22:55,155
And then we talk about bringing it back a little bit.
363
00:22:55,155 --> 00:22:58,226
You were also part of the AEW revolution.
364
00:22:58,226 --> 00:23:00,857
I think it was for the 2021 show.
365
00:23:00,857 --> 00:23:04,439
You were able to do some music for that and some words for that.
366
00:23:04,439 --> 00:23:08,000
That's obviously a little bit different than what we've got for Shelton's theme.
367
00:23:08,000 --> 00:23:12,552
Walk us a little bit through the AEW revolution contribution you had.
368
00:23:12,894 --> 00:23:14,094
Man at that time.
369
00:23:14,094 --> 00:23:25,384
I don't think I knew Mikey Rukus very well but in the early days of of AEW my my entry
point was Kenny Omega and Just just you know kind of knowing him and us again chatting
370
00:23:25,384 --> 00:23:26,843
about video games all the time
371
00:23:26,843 --> 00:23:32,337
And so every once in a while, Kenny would just ask me like, you know, what are you working
on these days?
372
00:23:32,337 --> 00:23:36,782
You know, you got anything that could sound, you know, that could work as like a theme
somewhere?
373
00:23:36,782 --> 00:23:39,605
And, know, and occasionally I'll send him tracks that I was working on.
374
00:23:39,605 --> 00:23:44,450
And one day I just got an idea for Revolution and and I said to him, he's like, this is
amazing.
375
00:23:44,450 --> 00:23:45,290
This is amazing.
376
00:23:45,290 --> 00:23:49,554
And I think that was when I got connected to to Mikey Rukus is.
377
00:23:49,554 --> 00:23:52,876
Kenny sent it to him and then Mikey's like, dude, your track is amazing.
378
00:23:52,876 --> 00:23:55,659
Like I was working on something, but this is way better.
379
00:23:55,659 --> 00:23:56,641
You know, that kind of thing.
380
00:23:56,641 --> 00:23:59,573
And and so I was just happy to be a part of it.
381
00:23:59,573 --> 00:24:05,508
And even for that, it was like, you know, thinking about what a wrestling revolution would
feel like, you know what I mean?
382
00:24:05,508 --> 00:24:14,504
And I think even through the lyrics, it was like this like it's time to take my place, you
know, like it's time to change things, you know, like that was really what it was about.
383
00:24:14,504 --> 00:24:15,876
Like it's time to change the game.
384
00:24:15,876 --> 00:24:17,357
And it starts.
385
00:24:17,439 --> 00:24:18,870
from us, you know what I mean?
386
00:24:18,870 --> 00:24:28,170
And so taking a little bit of that aggression, maybe chip on your shoulder or just being
overlooked or underrated, you even as an independent artist, we go through that to get a
387
00:24:28,170 --> 00:24:33,515
little bit of self doubt kicking you and pushing back against that was really what what
revolution was about.
388
00:24:33,515 --> 00:24:38,536
So I always think the best kind of songs can fit more than one scenario.
389
00:24:38,536 --> 00:24:39,356
You know what I mean?
390
00:24:39,356 --> 00:24:45,680
Like it's not just like, well, here's a wrestling company talking about their pay per
view, you know, and but
391
00:24:45,833 --> 00:24:55,443
A track that could live even further and longer than the life of you know the event
because in wrestling it's always on to the next thing very quickly, so So yeah, I'm like
392
00:24:55,443 --> 00:25:04,650
if this song is gonna be added to you know playlists and things like that and we want
somebody's gym workout playlist then you know I can't just make it specifically about
393
00:25:05,078 --> 00:25:14,723
All Elite wrestling Attempting to change the wrestling world but also just about changing
your own life and making making small changes in your own situation That can make you a
394
00:25:14,723 --> 00:25:23,742
force to be reckoned with so so that's really what went into that song and I'm super proud
of that song we had some help from a great rapper by the name of Rated R who did a verse
395
00:25:23,742 --> 00:25:25,074
on the end of that and
396
00:25:25,074 --> 00:25:27,135
And I remember thinking like the song was really short.
397
00:25:27,135 --> 00:25:30,358
Like I think the song's like two minutes and 12 seconds or something.
398
00:25:30,358 --> 00:25:32,149
And I was like, man, this is really short.
399
00:25:32,149 --> 00:25:33,761
Like this is like the shortest song I ever made.
400
00:25:33,761 --> 00:25:35,162
And Kenny was like, no, no, it's perfect.
401
00:25:35,162 --> 00:25:36,082
It's perfect the way it is.
402
00:25:36,082 --> 00:25:37,603
Like you don't need to add anything.
403
00:25:37,603 --> 00:25:40,885
just, you know, don't add just to add, you know, things like that.
404
00:25:40,885 --> 00:25:43,958
And so you have to kind of learn that in the creation process where it's like.
405
00:25:43,958 --> 00:25:46,400
never add something just to fill time.
406
00:25:46,400 --> 00:25:48,141
Like you gotta feel like it belongs there.
407
00:25:48,141 --> 00:25:51,805
So, and sometimes it's a two minute and 11 second song.
408
00:25:51,805 --> 00:25:53,496
Like that's just sometimes what it is.
409
00:25:53,496 --> 00:26:02,135
So yeah, I was real proud of the way that came together and to be like the official song
of a, know, a pay-per-view is like, know, bucket list goals right there.
410
00:26:02,135 --> 00:26:04,142
So yeah, real proud of that.
411
00:26:04,142 --> 00:26:12,566
And I love how you also, when you talked about the wrestling with regret thing, you were
like, let me add like all the things I know about this show and make a theme there.
412
00:26:12,566 --> 00:26:22,470
But with revolution, you're like, you know what, let's make it less about just the
promotion and make it like, you know, we know that at that point, AEW is looking to really
413
00:26:22,470 --> 00:26:31,244
brand itself as an alternative and looking to say, you know what, we're coming, we're
doing this and we're doing it better than anybody right now, but we're doing it by
414
00:26:31,244 --> 00:26:32,118
ourselves.
415
00:26:32,118 --> 00:26:34,200
And you're not just going, okay, cool.
416
00:26:34,200 --> 00:26:39,434
Let's make all the lyrics, but A W you're saying, this is a theme that has to represent in
this way.
417
00:26:39,434 --> 00:26:43,249
And I think that, you know, what you had said is what all of us artists go through, right?
418
00:26:43,249 --> 00:26:46,382
someone tells you what they want or someone tells you, okay, cool.
419
00:26:46,382 --> 00:26:47,663
This is what I'm looking for.
420
00:26:47,663 --> 00:26:49,155
And you're all of sudden like, all right, cool.
421
00:26:49,155 --> 00:26:52,097
Here's like the mound of things that we're going to add to it.
422
00:26:52,097 --> 00:26:53,428
And so it was like, no, no, that's great.
423
00:26:53,428 --> 00:26:54,275
That's awesome.
424
00:26:54,275 --> 00:26:54,825
Keep it like that.
425
00:26:54,825 --> 00:26:56,657
like, you sure I could add these strings?
426
00:26:56,657 --> 00:26:57,618
I can add this vocal.
427
00:26:57,618 --> 00:26:58,447
Like I do all this.
428
00:26:58,447 --> 00:26:59,730
They're like, no, it's good.
429
00:26:59,730 --> 00:27:00,100
Keep it.
430
00:27:00,100 --> 00:27:04,744
And sometimes as an artist, it's good to have them keep us honest with some of those
things too.
431
00:27:04,744 --> 00:27:10,319
We could go all over the map and lots of different things, but sometimes it's just like,
you nailed it.
432
00:27:10,319 --> 00:27:11,200
There it is.
433
00:27:11,200 --> 00:27:12,961
Keep that and do that.
434
00:27:12,961 --> 00:27:14,342
That's cool with me.
435
00:27:16,206 --> 00:27:21,850
Now for those also who are familiar with your work, many of you.
436
00:27:21,858 --> 00:27:35,159
who are listening to this and who have seen this may or may not remember, but Mega Ran was
in that infamous Uso's and New Day rap battle, which was super cool.
437
00:27:35,159 --> 00:27:41,474
And I was telling you before we jumped on here, I feel so dumb that I did not even think
about that then.
438
00:27:41,474 --> 00:27:46,939
Maybe it's because I found out about you later on, but all of sudden I was like, yeah,
yeah, I wonder if that's him.
439
00:27:46,939 --> 00:27:51,232
And then you hear Xavier Woods who, Xavier Woods, if you're listening to this right now.
440
00:27:51,232 --> 00:27:52,163
Make up with Big E.
441
00:27:52,163 --> 00:27:53,004
Come on, man.
442
00:27:53,004 --> 00:27:53,605
It's time.
443
00:27:53,605 --> 00:27:57,689
I know it's been like three days as of this recording, but come on.
444
00:27:57,789 --> 00:27:58,610
It's time.
445
00:27:58,610 --> 00:28:01,343
But he literally comes up and he's like, Mega Ran, Mega Ran, hang on, hang on.
446
00:28:01,343 --> 00:28:02,925
And I'm like, wait, that's the guy.
447
00:28:02,925 --> 00:28:04,196
That's him.
448
00:28:04,337 --> 00:28:05,532
That's awesome.
449
00:28:05,532 --> 00:28:07,344
Yeah, I was I was there for that man.
450
00:28:07,344 --> 00:28:11,288
We had an amazing moment Put one of the coolest days of my life was that day.
451
00:28:11,288 --> 00:28:18,957
It was July 4th So we're all in our like 4th of July garb where I think I was had a big
uncle Sam had on
452
00:28:18,957 --> 00:28:23,110
There's all types of, there's great indie wrestlers who all were extras in that scene.
453
00:28:23,110 --> 00:28:25,733
Hammerstone is there as well, a bunch of other folks.
454
00:28:25,733 --> 00:28:28,636
And we're just all hanging out being silly.
455
00:28:28,636 --> 00:28:32,888
And that was the instruction they got, they gave us was like, just be silly back there.
456
00:28:32,888 --> 00:28:34,659
Just make a viral moment.
457
00:28:34,659 --> 00:28:35,681
Just be wild.
458
00:28:35,681 --> 00:28:37,972
React crazily to what they say.
459
00:28:37,972 --> 00:28:39,363
You know, that kind of thing.
460
00:28:39,407 --> 00:28:40,638
And that's all we were there for.
461
00:28:40,638 --> 00:28:41,888
was just to kind of accentuate it.
462
00:28:41,888 --> 00:28:46,781
But but I spent the whole day kind of backstage and it was just like the coolest day of my
life.
463
00:28:46,781 --> 00:28:51,034
Just being able to see a little bit into the life that these guys live.
464
00:28:51,034 --> 00:28:53,365
And yeah, we get there like 10 in the morning.
465
00:28:53,365 --> 00:28:55,196
We're just like, all right, let's go to catering.
466
00:28:55,196 --> 00:28:56,777
We sit down at catering.
467
00:28:56,777 --> 00:29:02,840
Road Dogg comes in hands us the scripts for the for the segment because he produced it.
468
00:29:02,840 --> 00:29:06,484
And all of their rap battles are there like their lines.
469
00:29:06,540 --> 00:29:08,442
but the Usos lines are not there.
470
00:29:08,442 --> 00:29:11,026
And we're like, hmm, what's going on?
471
00:29:11,026 --> 00:29:12,978
And Road Dogg's like, they couldn't think of anything.
472
00:29:12,978 --> 00:29:14,779
So they said they're gonna do it.
473
00:29:14,779 --> 00:29:19,072
They're gonna have it before we start, but they're a little stuck right now.
474
00:29:19,072 --> 00:29:20,294
So they're just still working on it.
475
00:29:20,294 --> 00:29:21,715
And I'm thinking like, uh-oh.
476
00:29:21,715 --> 00:29:24,428
And I kinda whispered to Woods like, think.
477
00:29:24,818 --> 00:29:36,630
They're really planning to like destroy you guys like like this is a typical tactic and
and battle rap to kind of let me hear what you got and then I'm going to have rebuttals
478
00:29:36,630 --> 00:29:41,544
for everything you say and so Yeah, I'm like this
479
00:29:41,544 --> 00:29:50,204
Might not be good, you know, but the stuff that they're doing is really great So I'm like,
they're doing a great job and then they're like, well when we're done with eating They're
480
00:29:50,204 --> 00:29:51,984
like, can you come with us just into a room?
481
00:29:51,984 --> 00:29:59,604
Just we're gonna practice our lines kind of bounce them off you talk to you about the
Timing and stuff and I was like, this is great You know, maybe slow that down so people
482
00:29:59,604 --> 00:30:09,584
can understand that speed through that to get to this part Drop the mic on this part, you
know for effect, you know, so I kind of just give them a little bit of those those
483
00:30:09,584 --> 00:30:11,078
pointers, I guess
484
00:30:11,078 --> 00:30:15,652
And then John Cena randomly comes into the room and it was 4th of July.
485
00:30:15,652 --> 00:30:19,773
He was returning for something and and he just he's shaking her right hand like guys.
486
00:30:19,773 --> 00:30:21,934
I just wanted to come and tell you you've been doing a great job.
487
00:30:21,934 --> 00:30:31,939
Like I really appreciate everything you guys been doing and and I was like I thought you
were coming in here to tell us you were jumping in the rap battle and he's like no no rap
488
00:30:31,939 --> 00:30:33,160
is a young man's game.
489
00:30:33,160 --> 00:30:35,121
I'm not not doing that.
490
00:30:35,121 --> 00:30:42,824
So he goes on about his business and then Kata was backstage that day like there's just
like there was just an insane day.
491
00:30:42,824 --> 00:30:45,785
He was Okada was backstage.
492
00:30:45,785 --> 00:30:55,269
This was a he was Shinsuke's guest and And this is I'm sitting in catering just trying to
stay out of the way I think no one was in there at that moment and I'm just sitting there
493
00:30:55,269 --> 00:30:58,960
and and they tell us like relax chill out Don't run up on any wrestlers.
494
00:30:58,960 --> 00:31:01,951
Don't take any photos and I'm like got it
495
00:31:02,093 --> 00:31:08,826
And so I'm sitting there and then Charles Robinson comes in and he sees this guy in the
back, this big guy just head down.
496
00:31:08,827 --> 00:31:11,169
And I was like, that looks like Okada.
497
00:31:11,169 --> 00:31:16,572
And so Charles Robinson runs over to Okada and then says, photo, photo, can I take a
photo?
498
00:31:16,572 --> 00:31:21,549
And I was like, okay, if he's taking a photo, this is somebody that isn't here every day.
499
00:31:21,549 --> 00:31:24,676
So I'm looking and I'm like, wait, that is Okada.
500
00:31:24,676 --> 00:31:25,165
And...
501
00:31:25,165 --> 00:31:27,845
And so I kind of broke the rule.
502
00:31:27,845 --> 00:31:30,345
Once Charles Robinson left, was like, photo?
503
00:31:30,345 --> 00:31:31,545
Can I take a photo?
504
00:31:31,545 --> 00:31:33,345
And he's like, yeah, yeah, sure.
505
00:31:33,345 --> 00:31:35,326
So I take a photo with Okada.
506
00:31:35,326 --> 00:31:36,626
And it was just amazing.
507
00:31:36,626 --> 00:31:42,526
He was just at Gorilla, just shaking everybody's hand, just being very, very respectful.
508
00:31:42,526 --> 00:31:44,826
And he was just there to hang out.
509
00:31:44,826 --> 00:31:46,846
And I was like, what is going on?
510
00:31:46,846 --> 00:31:49,489
This kind of stuff happened every day.
511
00:31:49,489 --> 00:31:52,572
you're literally looking over at him in catering and he's looking back at you.
512
00:31:52,572 --> 00:31:54,774
He looks away and he pulls one of these.
513
00:31:55,956 --> 00:31:58,137
You're like, it's him, it's the guy.
514
00:31:58,146 --> 00:32:05,978
Like that's the guy I can't believe this and so later on I when I get out of there I
Posted that on Instagram.
515
00:32:05,978 --> 00:32:07,420
I was like, dude
516
00:32:07,454 --> 00:32:08,904
It was so cool meeting Okada.
517
00:32:08,904 --> 00:32:10,034
can't believe this.
518
00:32:10,034 --> 00:32:13,935
And then it was like front page on like squared circle Reddit.
519
00:32:13,935 --> 00:32:15,736
Everybody's like, God, it's AEW.W.E.
520
00:32:15,736 --> 00:32:16,227
confirmed.
521
00:32:16,227 --> 00:32:16,967
my God.
522
00:32:16,967 --> 00:32:22,148
This rapper was backstage and he broke the scoop and I was like, no.
523
00:32:22,268 --> 00:32:24,289
This is why they tell you don't take photos.
524
00:32:24,289 --> 00:32:26,559
And I had to like apologize to all the guys.
525
00:32:26,559 --> 00:32:27,409
Like, I'm so sorry.
526
00:32:27,409 --> 00:32:28,769
I hope I didn't get into anybody in trouble.
527
00:32:28,769 --> 00:32:30,019
And they're like, no, it's fine.
528
00:32:30,019 --> 00:32:30,449
It's fine.
529
00:32:30,449 --> 00:32:32,489
Like if it wasn't you, someone else would have leaked it.
530
00:32:32,489 --> 00:32:33,682
Like, it's fine.
531
00:32:33,682 --> 00:32:35,964
And they were like, but what's he doing there?
532
00:32:35,964 --> 00:32:36,925
What was he?
533
00:32:36,925 --> 00:32:37,855
he's he's signing.
534
00:32:37,855 --> 00:32:38,506
No question.
535
00:32:38,506 --> 00:32:40,398
Like it was just so ridiculous.
536
00:32:40,398 --> 00:32:42,039
But yeah, that day was insane.
537
00:32:42,039 --> 00:32:44,461
And being a part of the rap battle was so cool.
538
00:32:44,461 --> 00:32:51,746
And they were like, guys, you know, they were just so happy that me, an actual rapper was
there to kind of like walk them through stuff.
539
00:32:51,746 --> 00:32:53,587
And I remember them saying like.
540
00:32:53,629 --> 00:32:54,629
man, this is so cool.
541
00:32:54,629 --> 00:32:55,574
Like, what can we do for you?
542
00:32:55,574 --> 00:32:56,871
was like, what can you do for me?
543
00:32:56,871 --> 00:33:00,302
Like I'm backstage, I'm living my, I get to walk the aisle.
544
00:33:00,302 --> 00:33:01,983
Like, what are you talking about?
545
00:33:01,983 --> 00:33:02,844
This is amazing.
546
00:33:02,844 --> 00:33:04,975
And Woods is like, nah, I got something for you.
547
00:33:04,975 --> 00:33:06,215
I got something for you when we get in the ring.
548
00:33:06,215 --> 00:33:07,206
And I was like, wait, what?
549
00:33:07,206 --> 00:33:10,168
And then that's when he says, Mega ran, hold my trombone.
550
00:33:10,168 --> 00:33:15,011
And that was the moment where I was like, okay, I'm officially WWE canon.
551
00:33:15,011 --> 00:33:16,141
Like I'm in the script.
552
00:33:16,141 --> 00:33:17,012
You know what I mean?
553
00:33:17,012 --> 00:33:18,973
Like I'm there, I'm in the transcripts.
554
00:33:18,973 --> 00:33:21,855
So now I'm in the universe somewhere.
555
00:33:21,855 --> 00:33:22,805
That's pretty cool.
556
00:33:22,805 --> 00:33:24,897
Like you don't really get that as an extra, you know what I mean?
557
00:33:24,897 --> 00:33:29,884
Like I was just an extra talent and then I get actually like my name said on TV.
558
00:33:29,884 --> 00:33:31,745
So that was like super cool.
559
00:33:31,781 --> 00:33:35,863
And you know what, to him, was probably just like, yeah, like, let me just go ahead and
say my friend's name.
560
00:33:35,863 --> 00:33:44,429
And to you, it's just like, this is just the cap on what's already been just an amazing,
let's go ahead and collaborate with the Usos in the new day while taking a picture of
561
00:33:44,429 --> 00:33:50,961
Okada and shaking John Cena's hand July 4th with this awesome USA, Uncle Sam hat on.
562
00:33:50,961 --> 00:33:53,064
hat on.
563
00:33:53,064 --> 00:33:54,196
Yeah, that was insane.
564
00:33:54,196 --> 00:33:59,162
I remember there's been a few situations I've been in with with the new day, particularly
with Woods.
565
00:33:59,162 --> 00:34:02,286
And I just have to ask him like, is this your life like every day?
566
00:34:02,286 --> 00:34:04,308
And sometimes he'll be like, yeah.
567
00:34:04,308 --> 00:34:06,058
But other times it like, no.
568
00:34:06,058 --> 00:34:12,384
This isn't my life, you know, like we went we were in Vegas after like a maybe like I'm
just a smackdown or something.
569
00:34:12,384 --> 00:34:13,686
No, no, it was a pay-per-view.
570
00:34:13,686 --> 00:34:14,417
Gosh, what was it?
571
00:34:14,417 --> 00:34:17,091
Was it money in the bank when Dean Ambrose won the title?
572
00:34:17,091 --> 00:34:18,292
Anyway, so.
573
00:34:18,314 --> 00:34:24,331
After the show, they're all like, hey, we're going to a Wale concert after, which is at
one of the casinos.
574
00:34:24,331 --> 00:34:25,402
And I'm like, absolutely.
575
00:34:25,402 --> 00:34:25,962
I love Wale.
576
00:34:25,962 --> 00:34:26,774
We'll go to concert.
577
00:34:26,774 --> 00:34:27,605
We go to the concert.
578
00:34:27,605 --> 00:34:28,516
We're hanging out.
579
00:34:28,516 --> 00:34:31,889
Wale does like two songs and then gets off stage.
580
00:34:31,889 --> 00:34:33,342
And we're all like, hey, what's happening?
581
00:34:33,342 --> 00:34:35,224
And he's like, all right, man, we're out of here.
582
00:34:35,224 --> 00:34:37,829
And I was like, OK, I guess they're out of here.
583
00:34:37,829 --> 00:34:40,702
And then was like, no, no, no, we're out of here like everybody.
584
00:34:40,702 --> 00:34:48,850
And so gets the entire little entourage and then we walk outside and there's two vans
sitting outside and we're like, where are we going?
585
00:34:48,850 --> 00:34:50,693
And it was just like, I don't know.
586
00:34:50,693 --> 00:34:57,840
So we all get in the van and we're like, all right, this is an adventure, you know, and
and we get out of the van at another casino.
587
00:34:57,840 --> 00:35:03,486
There's this guy waiting at the van and he gives us these wristbands and and they say
Cleveland Cavaliers.
588
00:35:03,546 --> 00:35:12,694
And so this was this very same day that the Cleveland Cavaliers won the NBA championship
against the Warriors that came back from the there's a big comeback.
589
00:35:12,694 --> 00:35:18,318
And then when they won that, they immediately flew out of Oakland and went to Vegas to
party.
590
00:35:18,374 --> 00:35:24,937
And so we land right in the middle of the Cleveland Cavaliers, like celebration party for
the championship.
591
00:35:24,937 --> 00:35:26,707
And so they're like, here's these wristbands.
592
00:35:26,707 --> 00:35:27,199
All right.
593
00:35:27,199 --> 00:35:28,609
Stay behind the velvet rope.
594
00:35:28,609 --> 00:35:30,340
And we're like, what is going on?
595
00:35:30,340 --> 00:35:35,802
We walk inside and it's like every basketball player we know, all these tall players, just
poor champagne.
596
00:35:35,802 --> 00:35:37,123
I haven't fun.
597
00:35:37,123 --> 00:35:38,274
And I had to turn the woods.
598
00:35:38,274 --> 00:35:39,824
I was like, is this your life?
599
00:35:39,824 --> 00:35:43,475
He's like, not usually.
600
00:35:43,475 --> 00:35:45,067
No, I this is insane.
601
00:35:45,067 --> 00:35:46,788
Like, what are we doing here?
602
00:35:46,788 --> 00:35:49,693
You know, so there's this wild things like that happen.
603
00:35:49,693 --> 00:35:50,304
And you know what?
604
00:35:50,304 --> 00:35:51,926
He's just like, this isn't my life.
605
00:35:51,926 --> 00:35:55,871
And then all of sudden, like every time you're with him, there's just another story to
him.
606
00:35:55,871 --> 00:35:56,232
It's funny.
607
00:35:56,232 --> 00:36:01,608
It's probably when you're with him, he's probably just like, yeah, all the crazy stuff
happens when you're here.
608
00:36:01,608 --> 00:36:04,302
Otherwise I'm just kind of traveling, doing my thing.
609
00:36:04,302 --> 00:36:07,753
And then when Mega Ran shows up, we end up at the Cavaliers game.
610
00:36:07,753 --> 00:36:09,487
Yeah, maybe maybe it's like that.
611
00:36:09,487 --> 00:36:12,884
It's just like so happened that it just really got wild that day.
612
00:36:12,884 --> 00:36:16,426
And also Xavier Woods is huge into video games as many know.
613
00:36:16,426 --> 00:36:21,768
He's also a pretty good bass player too, as he's been putting in the work there too.
614
00:36:21,768 --> 00:36:29,111
So, you know, I'm to use this opportunity to put over Xavier Woods' bass work and that
there should be more collaborations with him on bass in the future.
615
00:36:29,111 --> 00:36:31,672
Cause come on Xavier, you're awesome.
616
00:36:31,672 --> 00:36:33,783
But again, please make up with Big E.
617
00:36:33,783 --> 00:36:34,694
It's been three days.
618
00:36:34,694 --> 00:36:35,754
We've talked about this.
619
00:36:35,754 --> 00:36:37,215
You've got to be making up with Big E.
620
00:36:37,215 --> 00:36:38,235
What are we doing here?
621
00:36:38,235 --> 00:36:39,100
What are we doing?
622
00:36:39,100 --> 00:36:40,208
get it together guys.
623
00:36:40,208 --> 00:36:49,385
So before I let you go, one thing I want to do is I want to give you the opportunity to,
as we've done with many of our guests on here, we're to go ahead and end with asking you
624
00:36:49,385 --> 00:36:54,237
to choose three songs that represent who MegaRan is.
625
00:36:54,237 --> 00:36:58,340
And these can be either, okay, what are three songs that people should check out by you?
626
00:36:58,340 --> 00:37:07,424
But the way I really like to frame it is what are three songs that represent you as
MegaRan that you would tell people to put on their Spotify playlist or that we'll make a
627
00:37:07,424 --> 00:37:08,649
playlist and put out there?
628
00:37:08,649 --> 00:37:10,407
What are those three songs for you, my friend?
629
00:37:10,407 --> 00:37:11,977
Okay, so I'm gonna give you a little mix.
630
00:37:11,977 --> 00:37:13,190
There's a one of mine.
631
00:37:13,190 --> 00:37:19,114
There's a song called Dream Master, which is kind of like the Mega Ran story in in about
three, four minutes.
632
00:37:19,114 --> 00:37:24,797
Very autobiographical about growing up and why or how Mega Ran became who he is.
633
00:37:24,797 --> 00:37:30,060
Gosh, there's another great song by Lupe Fiasco called Daydreamin.
634
00:37:30,060 --> 00:37:31,740
I really love that song.
635
00:37:31,740 --> 00:37:35,147
I would say put that in there and
636
00:37:35,793 --> 00:37:50,525
Lastly to like really help to like explain who Mega Ran is You're gonna need to put the
one-winged angel Final Fantasy 7 theme from Nobuo Uematsu
637
00:37:51,028 --> 00:37:52,299
man, that's a good one.
638
00:37:52,299 --> 00:37:53,920
Now I'm gonna challenge that one real quick.
639
00:37:53,920 --> 00:37:57,753
Are we talking from Final Fantasy VII or are we talking from Advent Children?
640
00:37:57,753 --> 00:38:02,136
Because the Advent Children one has been the one with like all the rock and the guitars
that everyone's become.
641
00:38:02,136 --> 00:38:02,504
No.
642
00:38:02,504 --> 00:38:04,055
Advent Children one gets crazy.
643
00:38:04,055 --> 00:38:13,646
Like it does a lot of really cool interesting things You know what but I like the classic
just because of you know what where it's been for me for so long But the Advent Children
644
00:38:13,646 --> 00:38:19,922
one does some really cool interesting stuff for sure good good a good note there
645
00:38:20,426 --> 00:38:22,026
So check all those out.
646
00:38:22,026 --> 00:38:23,206
We're gonna do a playlist.
647
00:38:23,206 --> 00:38:26,226
You'll able to check them out and obviously go check out Mega Ran.
648
00:38:26,226 --> 00:38:27,086
Mega Ran's the man.
649
00:38:27,086 --> 00:38:28,056
He's doing everything.
650
00:38:28,056 --> 00:38:28,946
He's everywhere.
651
00:38:28,946 --> 00:38:33,346
And probably by the time you hear this, there are gonna be like 14 other things that
you've done.
652
00:38:33,346 --> 00:38:34,946
So check all those out.
653
00:38:34,946 --> 00:38:36,795
But Mega Ran, thank you so much for your time.
654
00:38:36,795 --> 00:38:40,126
It's been awesome chatting with you and you're the man of many hats.
655
00:38:40,126 --> 00:38:43,395
I know that you're busy and thank you for spending some time with us today.
656
00:38:43,395 --> 00:38:44,558
John, appreciate it, man.
657
00:38:44,558 --> 00:38:45,932
This has been a super cool interview.
658
00:38:45,932 --> 00:38:46,815
Thanks for having me,